[{"data":1,"prerenderedAt":327},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fsub\u002Fsub-operator-ableton":3,"plugin-index":170,"tutos-all":238},{"id":4,"title":5,"body":6,"daw":138,"description":139,"extension":140,"genres":141,"level":146,"meta":147,"navigation":148,"order":149,"path":150,"plugins":151,"readingTime":136,"seo":155,"sitemap":156,"stem":158,"steps":159,"tags":162,"updatedAt":157,"__hash__":169},"tutos\u002Ftutos\u002Fsub\u002Fsub-operator-ableton.md","Faire la sub dans Operator",{"type":7,"value":8,"toc":131},"minimark",[9,14,83,94,100,104],[10,11,13],"h2",{"id":12},"le-patch","Le patch",[15,16,17,29,36,46,52,58,64,76],"ul",{},[18,19,20,24,25,28],"li",{},[21,22,23],"strong",{},"Oscillateur A seul",", onde ",[21,26,27],{},"Sin",", Coarse 1, Fine 0. Autres oscillateurs à -∞.",[18,30,31,32,35],{},"Laisser le ",[21,33,34],{},"R"," (retrigger de phase) activé → la sinusoïde repart toujours à la même phase.",[18,37,38,41,42,45],{},[21,39,40],{},"Enveloppe d'amplitude"," : Attack 5–10 ms ; Initial \u002F Peak \u002F Sustain à 0 dB ; Decay long ; ",[21,43,44],{},"Release 10–20 ms"," (pas 400 ms, sinon ça déborde).",[18,47,48,51],{},[21,49,50],{},"La durée de la sub = la longueur de la note MIDI"," (même durée que le tail).",[18,53,54,57],{},[21,55,56],{},"Filtre"," : passe-bas 24 dB, Freq 100–120 Hz, Res au minimum.",[18,59,60,63],{},[21,61,62],{},"Pitch Env à 0 %"," si le tail reste sur une note fixe (petit montant si le tail a un glide).",[18,65,66,69,70,75],{},[21,67,68],{},"Jouer la bonne note"," : attention au nommage Ableton (",[71,72,74],"a",{"href":73},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","notes et accordage","). Vérifier au Spectrum que le pic est à la bonne fréquence.",[18,77,78,79,82],{},"Ajouter un ",[21,80,81],{},"Utility"," en mono (Width 0 %).",[84,85,88],"callout",{"title":86,"type":87},"Freq\u003CKey à 0 %","piege",[89,90,91,93],"p",{},[21,92,86],{}," dans la section filtre. À 100 %, la coupure suit la note : sur une note grave (ex. D#0), un filtre réglé à 102 Hz descend en réalité vers ~15 Hz et la sub est coupée de 30–35 dB (presque inaudible).",[95,96],"chaine",{":steps":97,"accent":98,"title":99},"[{\"role\":\"Sinus\",\"plugins\":\"Operator\",\"note\":\"Oscillateur A seul, onde Sin, passe-bas 24 dB à 100–120 Hz\"},{\"role\":\"Mono\",\"plugins\":\"Utility\",\"note\":\"Width 0 %\"}]","acid","Chaîne de la sub",[10,101,103],{"id":102},"caler-la-sub-avec-le-tail-le-kick","Caler la sub avec le tail \u002F le kick",[105,106,107,110,117,128],"ol",{},[18,108,109],{},"Rendre la sub en audio pour voir la forme d'onde.",[18,111,112,113,116],{},"Zoomer : le premier cycle de la sub doit aller ",[21,114,115],{},"dans le même sens"," que l'onde basse du kick \u002F tail.",[18,118,119,120,123,124,127],{},"Si ça creuse : ",[21,121,122],{},"Utility → Phase Invert",", ou décaler la note de quelques ms, jusqu'à ce que le grave ",[21,125,126],{},"gonfle",".",[18,129,130],{},"Juger le niveau au Spectrum et sur le système son : un sinus à ~40 Hz paraît toujours faible sur enceintes de studio.",{"title":132,"searchDepth":133,"depth":133,"links":134},"",3,[135,137],{"id":12,"depth":136,"text":13},2,{"id":102,"depth":136,"text":103},"ableton","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.","md",[142,143,144,145],"mentalcore","tekno","hardstyle","tekrap","inter",{},true,1,"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton",[152,153,154],"\u002Fplugins\u002Foperator","\u002Fplugins\u002Fspectrum","\u002Fplugins\u002Futility",{"title":5,"description":139},{"loc":150,"lastmod":157},"2026-10-13","tutos\u002Fsub\u002Fsub-operator-ableton",[109,160,161,130],"Zoomer : le premier cycle de la sub doit aller dans le même sens que l'onde basse du kick \u002F tail.","Si ça creuse : Utility → Phase Invert, ou décaler la note de quelques ms, jusqu'à ce que le grave gonfle.",[163,164,165,166,167,168],"sub","operator","sinus","phase","filtre","utility","yA1CxHMJRPMgEVZeBA3MBsv7_BQliGdlj1q_8FmLbQs",[171,175,179,185,190,195,199,203,207,212,215,219,223,228,233,236],{"name":172,"path":173,"aliases":174},"bx_clipper","\u002Fplugins\u002Fbx-clipper",[],{"name":176,"path":177,"aliases":178},"Disperser","\u002Fplugins\u002Fdisperser",[],{"name":180,"path":181,"aliases":182},"Pro-Q 4","\u002Fplugins\u002Ffabfilter-pro-q-4",[183,184],"FabFilter Pro-Q 4","Pro-Q 4 dynamique",{"name":186,"path":187,"aliases":188},"Pro-R 2","\u002Fplugins\u002Ffabfilter-pro-r-2",[189],"FabFilter Pro-R 2",{"name":191,"path":192,"aliases":193},"Saturn 2","\u002Fplugins\u002Ffabfilter-saturn-2",[194],"FabFilter Saturn 2",{"name":196,"path":197,"aliases":198},"Faturator","\u002Fplugins\u002Ffaturator",[],{"name":200,"path":201,"aliases":202},"Kick 3","\u002Fplugins\u002Fkick-3",[],{"name":204,"path":205,"aliases":206},"Multipass","\u002Fplugins\u002Fmultipass",[],{"name":208,"path":209,"aliases":210},"Saturate","\u002Fplugins\u002Fnewfangled-saturate",[211],"Newfangled Saturate",{"name":213,"path":152,"aliases":214},"Operator",[],{"name":216,"path":217,"aliases":218},"OTT","\u002Fplugins\u002Fott",[],{"name":220,"path":221,"aliases":222},"Serum 2","\u002Fplugins\u002Fserum-2",[],{"name":224,"path":225,"aliases":226},"SerumFX","\u002Fplugins\u002Fserumfx",[227],"distorsion de Serum",{"name":229,"path":230,"aliases":231},"ShaperBox 3","\u002Fplugins\u002Fshaperbox-3",[232],"ShaperBox",{"name":234,"path":153,"aliases":235},"Spectrum",[],{"name":81,"path":154,"aliases":237},[],[239,253,265,274,287,295,306,316,324],{"path":240,"title":241,"description":242,"order":136,"tags":243,"genres":249,"daw":250,"level":251,"updatedAt":252,"readingTime":149},"\u002Ftutos\u002Fbases\u002Fdurees-et-tempo","Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[244,245,246,247,248],"tempo","bpm","kick","kickbass","durées",[142,143,145],"any","débutant","2026-10-14",{"path":254,"title":255,"description":256,"order":133,"tags":257,"genres":263,"daw":250,"level":251,"updatedAt":157,"readingTime":149},"\u002Ftutos\u002Fbases\u002Freflexes-generaux","Réflexes généraux de prod","Les 4 réflexes à garder en tête : comparer à volume égal, grave mono, vérifier au Spectrum, morceau de référence dans le projet.",[258,259,260,261,262],"mix","volume égal","mono","spectrum","référence",[143,142,145,264,144],"hard-tekno",{"path":266,"title":267,"description":268,"order":149,"tags":269,"genres":273,"daw":250,"level":251,"updatedAt":157,"readingTime":149},"\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick","Vocabulaire du kick","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.",[246,270,163,271,272],"tail","rumble","distorsion",[143,142,144],{"path":275,"title":276,"description":277,"order":149,"tags":278,"genres":286,"daw":250,"level":146,"updatedAt":157,"readingTime":149},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[279,280,281,282,283,284,285],"drums","drill","trap","hi-hats","808","snare","half-time",[145,143,142],{"path":73,"title":288,"description":289,"order":133,"tags":290,"genres":294,"daw":138,"level":146,"updatedAt":157,"readingTime":136},"Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",[291,292,293,246,163,261],"accordage","note","fréquence",[142,143,264,144],{"path":296,"title":297,"description":298,"order":299,"tags":300,"genres":304,"daw":138,"level":305,"updatedAt":157,"readingTime":136},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",4,[301,246,270,163,272,302,271,303],"chaîne d'effets","clipper","shaperbox",[142,143,264,144],"avancé",{"path":307,"title":308,"description":309,"order":136,"tags":310,"genres":315,"daw":250,"level":146,"updatedAt":252,"readingTime":149},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",[246,311,312,313,302,271,314],"synthèse","kick 3","enveloppe de pitch","sound design",[142,143,264],{"path":317,"title":318,"description":319,"order":149,"tags":320,"genres":323,"daw":138,"level":146,"updatedAt":252,"readingTime":133},"\u002Ftutos\u002Fkick\u002Flayering","Layering de kick","Kick + tail + sub sur un même coup, alternance kick \u002F tail + sub, traitement parallèle, kickbass en un seul sample : les 4 méthodes de layering d'un kick mentalcore.",[246,321,270,163,247,322],"layering","traitement parallèle",[142,143,144,145],{"path":150,"title":5,"description":139,"order":149,"tags":325,"genres":326,"daw":138,"level":146,"updatedAt":157,"readingTime":136},[163,164,165,166,167,168],[142,143,144,145],1792007220895]