[{"data":1,"prerenderedAt":157},["ShallowReactive",2],{"tutos-all":3},[4,24,41,55,67,81,92,100,107,121,132,139,147],{"path":5,"title":6,"description":7,"order":8,"tags":9,"genres":17,"daw":21,"level":22,"updatedAt":23,"readingTime":8},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",1,[10,11,12,13,14,15,16],"drums","drill","trap","hi-hats","808","snare","half-time",[18,19,20],"tekrap","tekno","mentalcore","any","inter","2026-10-13",{"path":25,"title":26,"description":27,"order":28,"tags":29,"genres":36,"daw":39,"level":22,"updatedAt":23,"readingTime":40},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",6,[30,31,32,33,34,35],"accordage","note","fréquence","kick","sub","spectrum",[20,19,37,38],"hard-tekno","hardstyle","ableton",2,{"path":42,"title":43,"description":44,"order":45,"tags":46,"genres":53,"daw":39,"level":54,"updatedAt":23,"readingTime":40},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",7,[47,33,48,34,49,50,51,52],"chaîne d'effets","tail","distorsion","clipper","rumble","shaperbox",[20,19,37,38],"avancé",{"path":56,"title":57,"description":58,"order":40,"tags":59,"genres":64,"daw":21,"level":65,"updatedAt":66,"readingTime":8},"\u002Ftutos\u002Fkick\u002Fdurees-et-tempo","Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[60,61,33,62,63],"tempo","bpm","kickbass","durées",[20,19,18],"débutant","2026-10-14",{"path":68,"title":69,"description":70,"order":71,"tags":72,"genres":78,"daw":39,"level":22,"updatedAt":79,"readingTime":80},"\u002Ftutos\u002Fkick\u002Ffaire-un-kick","Faire un kick, du layering au mixage","Attaque, punch, tails qui portent la sub : construire un kick tekno \u002F mentalcore couche par couche, les accorder, les faire passer la main, les mettre en phase, puis les coller sur le groupe sans perdre le grave.",3,[33,73,74,48,34,62,75,76,50,77],"layering","punch","mixage","glue","sidechain",[20,19,37,38,18],"2026-10-23",5,{"path":82,"title":83,"description":84,"order":85,"tags":86,"genres":91,"daw":21,"level":22,"updatedAt":66,"readingTime":8},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",4,[33,87,88,89,50,51,90],"synthèse","kick 3","enveloppe de pitch","sound design",[20,19,37],{"path":93,"title":94,"description":95,"order":80,"tags":96,"genres":99,"daw":39,"level":22,"updatedAt":79,"readingTime":71},"\u002Ftutos\u002Fkick\u002Fphase-des-couches","Mettre les couches en phase","Pourquoi deux couches de kick s'annulent dans le grave, et comment les mettre en phase : Phase Invert, décalage de quelques ms, phase de départ dans Kick 3, une seule source de sub, et vérifier au Spectrum.",[33,97,73,34,48,74,98],"phase","polarité",[20,19,37,38,18],{"path":101,"title":102,"description":103,"order":8,"tags":104,"genres":105,"daw":21,"level":65,"updatedAt":106,"readingTime":8},"\u002Ftutos\u002Fkick\u002Fvocabulaire-du-kick","Vocabulaire du kick","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.",[33,48,34,51,49],[19,20,38],"2026-10-19",{"path":108,"title":109,"description":110,"order":8,"tags":111,"genres":119,"daw":39,"level":22,"updatedAt":120,"readingTime":80},"\u002Ftutos\u002Fmastering\u002Fchaine-master","La chaîne du master","Le master d'une prod tekno en 6 modules : compression + mono, EQ, couleur et Ozone si besoin, clip + limite avec Elevate, puis les mesures. Et les réflexes du mix au master.",[112,113,47,114,115,116,117,118],"mastering","référence","limiteur","compression","elevate","shadow hills","gain staging",[19,20,37],"2026-10-27",{"path":122,"title":123,"description":124,"order":40,"tags":125,"genres":130,"daw":39,"level":22,"updatedAt":131,"readingTime":40},"\u002Ftutos\u002Fmixage\u002Fles-bus","Ce qui va sur chaque bus","Les plugins de chaque bus d'une prod tekno : kick bus, bus sans kick, drums, mélodies et vocal, avec les fréquences et les quantités de départ.",[126,127,77,128,129,75],"bus","kick bus","saturation","console",[19,20,37],"2026-10-22",{"path":133,"title":134,"description":135,"order":8,"tags":136,"genres":138,"daw":39,"level":22,"updatedAt":106,"readingTime":8},"\u002Ftutos\u002Fmixage\u002Froutage-deux-bus","Deux bus, un master","Le routage de base d'une prod tekno : un bus pour le kick, un bus pour tout le reste, qui se creuse dans le grave seulement quand le kick tape.",[137,126,77,127,75],"routage",[19,20,37],{"path":140,"title":141,"description":142,"order":8,"tags":143,"genres":144,"daw":21,"level":22,"updatedAt":145,"readingTime":146},"\u002Ftutos\u002Fsound-system\u002Fremenbranage-d-un-haut-parleur","Remenbranage d'un Haut Parleur","Je remenbranais plusieurs G401, donc j'ai décidé de vous faire un tuto complet, comme je trouve qu'il y en a pas beaucoup sur internet, hormis une vidéo sur TikTok et un article sur un forum, le reste est en anglais. Donc je vais vous montrer comment remembraner un G4001, un haut-parleur très connu de chez RCF et dont beaucoup de caissons en sont (trouve le mot)",[],[],"2026-11-01",9,{"path":148,"title":149,"description":150,"order":8,"tags":151,"genres":156,"daw":39,"level":22,"updatedAt":23,"readingTime":40},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[34,152,153,97,154,155],"operator","sinus","filtre","utility",[20,19,38,18],1793562511813]