[{"data":1,"prerenderedAt":302},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fmixage\u002Froutage-deux-bus":3,"plugin-index":154,"tutos-all":168},{"id":4,"title":5,"body":6,"daw":128,"description":129,"extension":130,"genres":131,"level":135,"meta":136,"navigation":137,"order":138,"path":139,"plugins":140,"readingTime":138,"seo":141,"sitemap":142,"stem":144,"steps":145,"tags":150,"updatedAt":143,"__hash__":153},"tutos\u002Ftutos\u002Fmixage\u002Froutage-deux-bus.md","Deux bus, un master",{"type":7,"value":8,"toc":121},"minimark",[9,18,35,40,70,74,93,109],[10,11,12,13,17],"p",{},"Avant de toucher au master, on range le morceau en ",[14,15,16],"strong",{},"deux bus"," : le kick d'un côté, tout le reste de l'autre. Le kick garde le bas pour lui seul, et le reste lui laisse la place seulement quand il tape.",[19,20,25,32],"routage",{":sources":21,"bus":22,"principal":23,"sortie":24},"[\"Drums\",\"Mélodies\",\"Vocal\"]","Bus sans kick","Kick bus","Master",[10,26,27,28,31],{},"Le bus sans kick se creuse dans le grave ",[14,29,30],{},"seulement quand le kick tape",".",[10,33,34],{},"Le kick garde le bas pour lui seul.",[36,37,39],"h2",{"id":38},"monter-le-routage","Monter le routage",[41,42,43,53,59,64],"ol",{},[44,45,46,48,49,52],"li",{},[14,47,23],{}," : sélectionne le kick et toutes ses couches, puis ",[14,50,51],{},"Ctrl + G"," pour les grouper. Ce groupe, c'est le kick bus.",[44,54,55,58],{},[14,56,57],{},"Drums, mélodies, vocal"," : un groupe chacun, de la même façon.",[44,60,61,63],{},[14,62,22],{}," : sélectionne ces trois groupes et groupe-les à leur tour.",[44,65,66,67,31],{},"Le kick bus et le bus sans kick sortent tous les deux sur le ",[14,68,69],{},"master",[36,71,73],{"id":72},"creuser-le-grave-quand-le-kick-tape","Creuser le grave quand le kick tape",[10,75,76,77,80,81,84,85,88,89,92],{},"Sur le bus sans kick, un ",[14,78,79],{},"Pro-Q 4"," avec une bande ",[14,82,83],{},"dynamique"," entre ",[14,86,87],{},"40 et 120 Hz",", déclenchée par le kick bus en sidechain : elle baisse de ",[14,90,91],{},"-3 à -6 dB"," à chaque coup de kick, puis remonte.",[94,95,96,106],"ul",{},[44,97,98,99,102,103,31],{},"Dans Ableton, ouvre l'entrée ",[14,100,101],{},"sidechain"," du Pro-Q 4 et choisis le ",[14,104,105],{},"kick bus",[44,107,108],{},"Le détail de ce qui va sur chaque bus est dans la fiche suivante.",[110,111,114],"callout",{"title":112,"type":113},"Pas de limiteur sur le bus sans kick","piege",[10,115,116,117,120],{},"Il n'y a qu'",[14,118,119],{},"un seul étage final",", au master. Un limiteur sur le bus sans kick, puis un autre au master : chaque étage écrase les transients, et le kick perd son punch en premier.",{"title":122,"searchDepth":123,"depth":123,"links":124},"",3,[125,127],{"id":38,"depth":126,"text":39},2,{"id":72,"depth":126,"text":73},"ableton","Le routage de base d'une prod tekno : un bus pour le kick, un bus pour tout le reste, qui se creuse dans le grave seulement quand le kick tape.","md",[132,133,134],"tekno","mentalcore","hard-tekno","inter",{},true,1,"\u002Ftutos\u002Fmixage\u002Froutage-deux-bus",[],{"title":5,"description":129},{"loc":139,"lastmod":143},"2026-10-19","tutos\u002Fmixage\u002Froutage-deux-bus",[146,147,148,149],"Envoyer le kick et ses couches dans un groupe à part : le kick bus.","Grouper drums, mélodies et vocal, puis les trois dans un bus sans kick.","Envoyer les deux bus au master.","Sur le bus sans kick, creuser le grave en sidechain sur le kick bus.",[19,151,101,105,152],"bus","mixage","nQQToUtqFxVYluIlAVBkPJz4u5ZbCf3dbffES7hRerg",[155,160],{"name":156,"path":157,"aliases":158},"Elevate","\u002Fplugins\u002Fnewfangled-elevate",[159],"Newfangled Elevate",{"name":161,"path":162,"aliases":163},"Shadow Hills Mastering Compressor Class A","\u002Fplugins\u002Fshadow-hills-class-a",[164,165,166,167],"Shadow Hills","Shadow Hills A","Shadow Hills Class A","Shadow Hills Class A Mastering Comp",[169,184,197,207,220,229,240,250,258,269,280,288,291],{"path":170,"title":171,"description":172,"order":126,"tags":173,"genres":179,"daw":181,"level":182,"updatedAt":183,"readingTime":138},"\u002Ftutos\u002Fbases\u002Fdurees-et-tempo","Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[174,175,176,177,178],"tempo","bpm","kick","kickbass","durées",[133,132,180],"tekrap","any","débutant","2026-10-14",{"path":185,"title":186,"description":187,"order":123,"tags":188,"genres":194,"daw":181,"level":182,"updatedAt":196,"readingTime":138},"\u002Ftutos\u002Fbases\u002Freflexes-generaux","Réflexes généraux de prod","Les 4 réflexes à garder en tête : comparer à volume égal, grave mono, vérifier au Spectrum, morceau de référence dans le projet.",[189,190,191,192,193],"mix","volume égal","mono","spectrum","référence",[132,133,180,134,195],"hardstyle","2026-10-13",{"path":198,"title":199,"description":200,"order":138,"tags":201,"genres":206,"daw":181,"level":182,"updatedAt":143,"readingTime":138},"\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick","Vocabulaire du kick","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.",[176,202,203,204,205],"tail","sub","rumble","distorsion",[132,133,195],{"path":208,"title":209,"description":210,"order":138,"tags":211,"genres":219,"daw":181,"level":135,"updatedAt":196,"readingTime":138},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[212,213,214,215,216,217,218],"drums","drill","trap","hi-hats","808","snare","half-time",[180,132,133],{"path":221,"title":222,"description":223,"order":123,"tags":224,"genres":228,"daw":128,"level":135,"updatedAt":196,"readingTime":126},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",[225,226,227,176,203,192],"accordage","note","fréquence",[133,132,134,195],{"path":230,"title":231,"description":232,"order":233,"tags":234,"genres":238,"daw":128,"level":239,"updatedAt":196,"readingTime":126},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",4,[235,176,202,203,205,236,204,237],"chaîne d'effets","clipper","shaperbox",[133,132,134,195],"avancé",{"path":241,"title":242,"description":243,"order":126,"tags":244,"genres":249,"daw":181,"level":135,"updatedAt":183,"readingTime":138},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",[176,245,246,247,236,204,248],"synthèse","kick 3","enveloppe de pitch","sound design",[133,132,134],{"path":251,"title":252,"description":253,"order":138,"tags":254,"genres":257,"daw":128,"level":135,"updatedAt":143,"readingTime":123},"\u002Ftutos\u002Fkick\u002Flayering","Layering de kick","Kick + tail + sub sur un même coup, alternance kick \u002F tail + sub, traitement parallèle, kickbass en un seul sample : les 4 méthodes de layering d'un kick mentalcore.",[176,255,202,203,177,256],"layering","traitement parallèle",[133,132,195,180],{"path":259,"title":260,"description":261,"order":138,"tags":262,"genres":268,"daw":128,"level":135,"updatedAt":143,"readingTime":126},"\u002Ftutos\u002Fmastering\u002Fchaine-master","La chaîne du master","Le master d'une prod tekno en 6 modules : niveau d'entrée, EQ, compression + mono, couleur, clip + limite avec Elevate, puis les mesures.",[263,69,235,264,265,266,267],"mastering","limiteur","compression","elevate","shadow hills",[132,133,134],{"path":270,"title":271,"description":272,"order":126,"tags":273,"genres":279,"daw":128,"level":135,"updatedAt":143,"readingTime":138},"\u002Ftutos\u002Fmastering\u002Fclub-ou-streaming","Club ou streaming","Les niveaux d'export d'une prod tekno : -7 à -5 LUFS et -0,3 dBTP pour un fichier club, -14 LUFS et -1 dBTP pour les plateformes de streaming.",[263,274,275,276,277,278],"loudness","lufs","true peak","export","streaming",[132,133,134],{"path":281,"title":282,"description":283,"order":126,"tags":284,"genres":287,"daw":128,"level":135,"updatedAt":143,"readingTime":126},"\u002Ftutos\u002Fmixage\u002Fles-bus","Ce qui va sur chaque bus","Les plugins de chaque bus d'une prod tekno : kick bus, bus sans kick, drums, mélodies et vocal, avec les fréquences et les quantités de départ.",[151,105,101,285,286,152],"saturation","console",[132,133,134],{"path":139,"title":5,"description":129,"order":138,"tags":289,"genres":290,"daw":128,"level":135,"updatedAt":143,"readingTime":138},[19,151,101,105,152],[132,133,134],{"path":292,"title":293,"description":294,"order":138,"tags":295,"genres":301,"daw":128,"level":135,"updatedAt":196,"readingTime":126},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[203,296,297,298,299,300],"operator","sinus","phase","filtre","utility",[133,132,195,180],1792439552297]