[{"data":1,"prerenderedAt":367},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fmixage\u002Fles-bus":3,"plugin-index":219,"tutos-all":233},{"id":4,"title":5,"body":6,"daw":194,"description":195,"extension":196,"genres":197,"level":201,"meta":202,"navigation":203,"order":189,"path":204,"plugins":205,"readingTime":189,"seo":206,"sitemap":207,"stem":209,"steps":210,"tags":211,"updatedAt":208,"__hash__":218},"tutos\u002Ftutos\u002Fmixage\u002Fles-bus.md","Ce qui va sur chaque bus",{"type":7,"value":8,"toc":184},"minimark",[9,13,17,22,56,60,96,100,122,126,150,154,172],[10,11,12],"p",{},"Le routage est en place (kick bus + bus sans kick, cf. la fiche précédente). Voici ce qui va sur chaque bus, dans l'ordre de la chaîne.",[14,15],"cartes",{":items":16},"[{\"titre\":\"Kick bus\",\"principal\":true,\"lignes\":[{\"plugin\":\"Pro-Q 4\",\"valeur\":\"20–25 Hz\"},{\"plugin\":\"Saturate\",\"detail\":\"clip 2–4 dB\"},{\"plugin\":\"Utility\",\"detail\":\"mono \u003C 120 Hz\"}]},{\"titre\":\"Bus sans kick\",\"lignes\":[{\"plugin\":\"Pro-Q 4\",\"texte\":\"dynamique\",\"detail\":\"sidechain kick · 40–120 Hz · -3\u002F-6 dB\"},{\"plugin\":\"SSL 4000 G\",\"detail\":\"EQ · comp · gate\"},{\"plugin\":\"A-Console\",\"detail\":\"saturation · Push\"},{\"texte\":\"**pas de limiteur**\"}]},{\"titre\":\"Drums\",\"lignes\":[{\"plugin\":\"bx_glue \u002F SSLComp\"},{\"plugin\":\"Punctuate\",\"detail\":\"garder l'attaque\"},{\"plugin\":\"A-Console\"}]},{\"titre\":\"Mélodies\",\"lignes\":[{\"texte\":\"**coupe**\",\"valeur\":\"150–200 Hz\"},{\"plugin\":\"Pro-Q 4\",\"texte\":\"dynamique\",\"detail\":\"2–4 kHz · sidechain voix\"},{\"plugin\":\"soothe2\",\"texte\":\"léger\"}]},{\"titre\":\"Vocal\",\"lignes\":[{\"plugin\":\"CLA-76 → CLA-2A\"},{\"plugin\":\"Pro-DS → Pro-Q 4\"}]},{\"titre\":\"réflexe\",\"reflexe\":true,\"texte\":\"Chaque console ou saturation en plus : **A\u002FB à volume égal**.\"}]",[18,19,21],"h2",{"id":20},"kick-bus","Kick bus",[23,24,25,37,47],"ul",{},[26,27,28,32,33,36],"li",{},[29,30,31],"strong",{},"Pro-Q 4"," : coupe sous ",[29,34,35],{},"20–25 Hz",".",[26,38,39,42,43,46],{},[29,40,41],{},"Saturate"," : ",[29,44,45],{},"2–4 dB"," de clip.",[26,48,49,52,53,36],{},[29,50,51],{},"Utility"," : grave en mono sous ",[29,54,55],{},"120 Hz",[18,57,59],{"id":58},"bus-sans-kick","Bus sans kick",[23,61,62,75,81,90],{},[26,63,64,66,67,70,71,74],{},[29,65,31],{}," en dynamique, déclenché par le kick bus en sidechain : la bande ",[29,68,69],{},"40–120 Hz"," baisse de ",[29,72,73],{},"-3 à -6 dB"," quand le kick tape. C'est elle qui laisse le bas au kick.",[26,76,77,80],{},[29,78,79],{},"SSL 4000 G"," : EQ, compresseur et gate de la console.",[26,82,83,86,87,36],{},[29,84,85],{},"A-Console"," : saturation, avec ",[29,88,89],{},"Push",[26,91,92,95],{},[29,93,94],{},"Pas de limiteur"," : un seul étage final, au master.",[18,97,99],{"id":98},"drums","Drums",[23,101,102,112,118],{},[26,103,104,107,108,111],{},[29,105,106],{},"bx_glue"," ou ",[29,109,110],{},"SSLComp"," pour coller les drums.",[26,113,114,117],{},[29,115,116],{},"Punctuate"," pour garder l'attaque.",[26,119,120,36],{},[29,121,85],{},[18,123,125],{"id":124},"mélodies","Mélodies",[23,127,128,135,144],{},[26,129,130,131,134],{},"Coupe sous ",[29,132,133],{},"150–200 Hz"," : le bas reste au kick.",[26,136,137,139,140,143],{},[29,138,31],{}," en dynamique sur ",[29,141,142],{},"2–4 kHz",", en sidechain sur la voix : les mélodies laissent la place quand la voix arrive.",[26,145,146,149],{},[29,147,148],{},"soothe2",", léger.",[18,151,153],{"id":152},"vocal","Vocal",[23,155,156,165],{},[26,157,158,161,162,36],{},[29,159,160],{},"CLA-76"," puis ",[29,163,164],{},"CLA-2A",[26,166,167,161,170,36],{},[29,168,169],{},"Pro-DS",[29,171,31],{},[173,174,177],"callout",{"title":175,"type":176},"A\u002FB à volume égal","astuce",[10,178,179,180,183],{},"Chaque console ou saturation en plus se compare ",[29,181,182],{},"à volume égal",", plugin activé puis coupé : plus fort paraît toujours mieux.",{"title":185,"searchDepth":186,"depth":186,"links":187},"",3,[188,190,191,192,193],{"id":20,"depth":189,"text":21},2,{"id":58,"depth":189,"text":59},{"id":98,"depth":189,"text":99},{"id":124,"depth":189,"text":125},{"id":152,"depth":189,"text":153},"ableton","Les plugins de chaque bus d'une prod tekno : kick bus, bus sans kick, drums, mélodies et vocal, avec les fréquences et les quantités de départ.","md",[198,199,200],"tekno","mentalcore","hard-tekno","inter",{},true,"\u002Ftutos\u002Fmixage\u002Fles-bus",[],{"title":5,"description":195},{"loc":204,"lastmod":208},"2026-10-19","tutos\u002Fmixage\u002Fles-bus",null,[212,213,214,215,216,217],"bus","kick bus","sidechain","saturation","console","mixage","i31BayfkoS97Ge95Z3BjdYrPscweAlW-Y0RwNGfgpBE",[220,225],{"name":221,"path":222,"aliases":223},"Elevate","\u002Fplugins\u002Fnewfangled-elevate",[224],"Newfangled Elevate",{"name":226,"path":227,"aliases":228},"Shadow Hills Mastering Compressor Class A","\u002Fplugins\u002Fshadow-hills-class-a",[229,230,231,232],"Shadow Hills","Shadow Hills A","Shadow Hills Class A","Shadow Hills Class A Mastering Comp",[234,250,263,273,285,294,305,315,323,335,346,349,356],{"path":235,"title":236,"description":237,"order":189,"tags":238,"genres":244,"daw":246,"level":247,"updatedAt":248,"readingTime":249},"\u002Ftutos\u002Fbases\u002Fdurees-et-tempo","Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[239,240,241,242,243],"tempo","bpm","kick","kickbass","durées",[199,198,245],"tekrap","any","débutant","2026-10-14",1,{"path":251,"title":252,"description":253,"order":186,"tags":254,"genres":260,"daw":246,"level":247,"updatedAt":262,"readingTime":249},"\u002Ftutos\u002Fbases\u002Freflexes-generaux","Réflexes généraux de prod","Les 4 réflexes à garder en tête : comparer à volume égal, grave mono, vérifier au Spectrum, morceau de référence dans le projet.",[255,256,257,258,259],"mix","volume égal","mono","spectrum","référence",[198,199,245,200,261],"hardstyle","2026-10-13",{"path":264,"title":265,"description":266,"order":249,"tags":267,"genres":272,"daw":246,"level":247,"updatedAt":208,"readingTime":249},"\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick","Vocabulaire du kick","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.",[241,268,269,270,271],"tail","sub","rumble","distorsion",[198,199,261],{"path":274,"title":275,"description":276,"order":249,"tags":277,"genres":284,"daw":246,"level":201,"updatedAt":262,"readingTime":249},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[98,278,279,280,281,282,283],"drill","trap","hi-hats","808","snare","half-time",[245,198,199],{"path":286,"title":287,"description":288,"order":186,"tags":289,"genres":293,"daw":194,"level":201,"updatedAt":262,"readingTime":189},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",[290,291,292,241,269,258],"accordage","note","fréquence",[199,198,200,261],{"path":295,"title":296,"description":297,"order":298,"tags":299,"genres":303,"daw":194,"level":304,"updatedAt":262,"readingTime":189},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",4,[300,241,268,269,271,301,270,302],"chaîne d'effets","clipper","shaperbox",[199,198,200,261],"avancé",{"path":306,"title":307,"description":308,"order":189,"tags":309,"genres":314,"daw":246,"level":201,"updatedAt":248,"readingTime":249},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",[241,310,311,312,301,270,313],"synthèse","kick 3","enveloppe de pitch","sound design",[199,198,200],{"path":316,"title":317,"description":318,"order":249,"tags":319,"genres":322,"daw":194,"level":201,"updatedAt":208,"readingTime":186},"\u002Ftutos\u002Fkick\u002Flayering","Layering de kick","Kick + tail + sub sur un même coup, alternance kick \u002F tail + sub, traitement parallèle, kickbass en un seul sample : les 4 méthodes de layering d'un kick mentalcore.",[241,320,268,269,242,321],"layering","traitement parallèle",[199,198,261,245],{"path":324,"title":325,"description":326,"order":249,"tags":327,"genres":334,"daw":194,"level":201,"updatedAt":208,"readingTime":189},"\u002Ftutos\u002Fmastering\u002Fchaine-master","La chaîne du master","Le master d'une prod tekno en 6 modules : niveau d'entrée, EQ, compression + mono, couleur, clip + limite avec Elevate, puis les mesures.",[328,329,300,330,331,332,333],"mastering","master","limiteur","compression","elevate","shadow hills",[198,199,200],{"path":336,"title":337,"description":338,"order":189,"tags":339,"genres":345,"daw":194,"level":201,"updatedAt":208,"readingTime":249},"\u002Ftutos\u002Fmastering\u002Fclub-ou-streaming","Club ou streaming","Les niveaux d'export d'une prod tekno : -7 à -5 LUFS et -0,3 dBTP pour un fichier club, -14 LUFS et -1 dBTP pour les plateformes de streaming.",[328,340,341,342,343,344],"loudness","lufs","true peak","export","streaming",[198,199,200],{"path":204,"title":5,"description":195,"order":189,"tags":347,"genres":348,"daw":194,"level":201,"updatedAt":208,"readingTime":189},[212,213,214,215,216,217],[198,199,200],{"path":350,"title":351,"description":352,"order":249,"tags":353,"genres":355,"daw":194,"level":201,"updatedAt":208,"readingTime":249},"\u002Ftutos\u002Fmixage\u002Froutage-deux-bus","Deux bus, un master","Le routage de base d'une prod tekno : un bus pour le kick, un bus pour tout le reste, qui se creuse dans le grave seulement quand le kick tape.",[354,212,214,213,217],"routage",[198,199,200],{"path":357,"title":358,"description":359,"order":249,"tags":360,"genres":366,"daw":194,"level":201,"updatedAt":262,"readingTime":189},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[269,361,362,363,364,365],"operator","sinus","phase","filtre","utility",[199,198,261,245],1792439552332]