[{"data":1,"prerenderedAt":383},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fmastering\u002Fchaine-master":3,"plugin-index":240,"tutos-all":250},{"id":4,"title":5,"body":6,"daw":205,"description":206,"extension":207,"genres":208,"level":212,"meta":213,"navigation":214,"order":215,"path":216,"plugins":217,"readingTime":199,"seo":220,"sitemap":221,"stem":223,"steps":224,"tags":231,"updatedAt":222,"__hash__":239},"tutos\u002Ftutos\u002Fmastering\u002Fchaine-master.md","La chaîne du master",{"type":7,"value":8,"toc":194},"minimark",[9,18,23,28,38,42,51,55,70,73,108,120,124,137,141,151,173,176,180],[10,11,12,13,17],"p",{},"Les deux bus arrivent au master (cf. le dossier Mixage). Six modules, dans cet ordre, et ",[14,15,16],"strong",{},"un seul étage final"," : Elevate.",[19,20],"chaine",{":steps":21,"title":22},"[{\"role\":\"Niveau d'entrée\",\"plugins\":\"Utility\",\"note\":\"crêtes **-6 dBFS**\"},{\"role\":\"EQ\",\"plugins\":\"Pro-Q 4\",\"note\":\"coupe **20–25 Hz**\"},{\"role\":\"Comp + mono\",\"plugins\":\"Shadow Hills Class A\",\"note\":\"mono **\u003C 120 Hz**\",\"recette\":\"master\"},{\"role\":\"Couleur\",\"plugins\":[\"Inflator\",\"karacter\"],\"optional\":true},{\"role\":\"Clip + limite\",\"plugins\":\"Elevate\",\"note\":\"rien derrière\",\"principal\":true,\"recette\":\"club\"},{\"role\":\"Mesures\",\"plugins\":[\"Insight 2\",\"TBC 2\",\"SPAN\"]}]","Le master en 6 modules",[24,25,27],"h2",{"id":26},"_01-niveau-dentrée","01 · Niveau d'entrée",[10,29,30,33,34,37],{},[14,31,32],{},"Utility"," en premier : règle son gain pour que les crêtes du mix arrivent vers ",[14,35,36],{},"-6 dBFS",".",[24,39,41],{"id":40},"_02-eq","02 · EQ",[10,43,44,47,48,37],{},[14,45,46],{},"Pro-Q 4"," : coupe sous ",[14,49,50],{},"20–25 Hz",[24,52,54],{"id":53},"_03-compression-et-grave-en-mono","03 · Compression et grave en mono",[10,56,57,58,61,62,65,66,69],{},"Le ",[14,59,60],{},"Shadow Hills Class A"," fait les deux : compression et grave en mono (",[14,63,64],{},"Mono Maker"," sous ",[14,67,68],{},"120 Hz","). Pas besoin d'un autre plugin de mono.",[10,71,72],{},"Réglage de départ donné par sa doc :",[74,75,76,87,102],"ul",{},[77,78,79,82,83,86],"li",{},[14,80,81],{},"1 dB"," de réduction sur l'optique + ",[14,84,85],{},"2 dB"," sur le discret ;",[77,88,89,90,93,94,97,98,101],{},"ratio ",[14,91,92],{},"1.2:1",", attaque ",[14,95,96],{},"30 ms",", recover ",[14,99,100],{},"0,1 s"," ;",[77,103,104,107],{},[14,105,106],{},"Sidechain Filter"," sur IN, transformateur au goût.",[10,109,110,111,114,115,37],{},"Le filtre de sidechain (",[14,112,113],{},"HP-SC Filter",") se monte jusqu'à ce que le compresseur arrête de pomper sur chaque kick. Tous les réglages sont dans ",[116,117,119],"a",{"href":118},"\u002Fplugins\u002Fshadow-hills-class-a#recette-master","la recette « au master »",[24,121,123],{"id":122},"_04-couleur-si-besoin","04 · Couleur (si besoin)",[10,125,126,129,130,133,134,37],{},[14,127,128],{},"Inflator"," ou ",[14,131,132],{},"karacter",", seulement si le master en a besoin. Comme sur les bus : A\u002FB ",[14,135,136],{},"à volume égal",[24,138,140],{"id":139},"_05-clip-limite","05 · Clip + limite",[10,142,143,146,147,150],{},[14,144,145],{},"Elevate"," fait à lui seul le clipper, le limiteur et les transients : c'est le ",[14,148,149],{},"dernier"," plugin qui touche au son. Rien derrière.",[152,153,156,159],"callout",{"title":154,"type":155},"3 limiteurs à la suite","piege",[10,157,158],{},"Maximizer d'Ozone + Elevate + Pro-L 2 : chaque étage écrase les transients, et le kick perd son punch en premier.",[74,160,161,167],{},[77,162,163,164,166],{},"→ ",[14,165,16],{}," au master ;",[77,168,163,169,172],{},[14,170,171],{},"aucun limiteur"," sur le bus sans kick.",[10,174,175],{},"Le plafond dépend de l'export (club ou streaming) : c'est la fiche suivante.",[24,177,179],{"id":178},"_06-mesures","06 · Mesures",[10,181,182,185,186,189,190,193],{},[14,183,184],{},"Insight 2",", ",[14,187,188],{},"TBC 2"," et ",[14,191,192],{},"SPAN"," à la fin : ils mesurent, ils ne changent pas le son.",{"title":195,"searchDepth":196,"depth":196,"links":197},"",3,[198,200,201,202,203,204],{"id":26,"depth":199,"text":27},2,{"id":40,"depth":199,"text":41},{"id":53,"depth":199,"text":54},{"id":122,"depth":199,"text":123},{"id":139,"depth":199,"text":140},{"id":178,"depth":199,"text":179},"ableton","Le master d'une prod tekno en 6 modules : niveau d'entrée, EQ, compression + mono, couleur, clip + limite avec Elevate, puis les mesures.","md",[209,210,211],"tekno","mentalcore","hard-tekno","inter",{},true,1,"\u002Ftutos\u002Fmastering\u002Fchaine-master",[218,219],"\u002Fplugins\u002Fnewfangled-elevate","\u002Fplugins\u002Fshadow-hills-class-a",{"title":5,"description":206},{"loc":216,"lastmod":222},"2026-10-19","tutos\u002Fmastering\u002Fchaine-master",[225,226,227,228,229,230],"Utility : crêtes du mix à -6 dBFS en entrée.","Pro-Q 4 : couper sous 20–25 Hz.","Shadow Hills Class A : 1 dB d'optique + 2 dB de discret, grave en mono sous 120 Hz.","Si besoin, de la couleur : Inflator ou karacter.","Elevate en dernier : clip + limite, rien derrière.","Mesurer : Insight 2, TBC 2, SPAN.",[232,233,234,235,236,237,238],"mastering","master","chaîne d'effets","limiteur","compression","elevate","shadow hills","iuhoQ-DwAejLXa__d32JeLIqqVgixp6_HASL3tKVsfo",[241,244],{"name":145,"path":218,"aliases":242},[243],"Newfangled Elevate",{"name":245,"path":219,"aliases":246},"Shadow Hills Mastering Compressor Class A",[247,248,60,249],"Shadow Hills","Shadow Hills A","Shadow Hills Class A Mastering Comp",[251,266,279,289,302,311,321,331,339,342,353,365,372],{"path":252,"title":253,"description":254,"order":199,"tags":255,"genres":261,"daw":263,"level":264,"updatedAt":265,"readingTime":215},"\u002Ftutos\u002Fbases\u002Fdurees-et-tempo","Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[256,257,258,259,260],"tempo","bpm","kick","kickbass","durées",[210,209,262],"tekrap","any","débutant","2026-10-14",{"path":267,"title":268,"description":269,"order":196,"tags":270,"genres":276,"daw":263,"level":264,"updatedAt":278,"readingTime":215},"\u002Ftutos\u002Fbases\u002Freflexes-generaux","Réflexes généraux de prod","Les 4 réflexes à garder en tête : comparer à volume égal, grave mono, vérifier au Spectrum, morceau de référence dans le projet.",[271,272,273,274,275],"mix","volume égal","mono","spectrum","référence",[209,210,262,211,277],"hardstyle","2026-10-13",{"path":280,"title":281,"description":282,"order":215,"tags":283,"genres":288,"daw":263,"level":264,"updatedAt":222,"readingTime":215},"\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick","Vocabulaire du kick","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.",[258,284,285,286,287],"tail","sub","rumble","distorsion",[209,210,277],{"path":290,"title":291,"description":292,"order":215,"tags":293,"genres":301,"daw":263,"level":212,"updatedAt":278,"readingTime":215},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[294,295,296,297,298,299,300],"drums","drill","trap","hi-hats","808","snare","half-time",[262,209,210],{"path":303,"title":304,"description":305,"order":196,"tags":306,"genres":310,"daw":205,"level":212,"updatedAt":278,"readingTime":199},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",[307,308,309,258,285,274],"accordage","note","fréquence",[210,209,211,277],{"path":312,"title":313,"description":314,"order":315,"tags":316,"genres":319,"daw":205,"level":320,"updatedAt":278,"readingTime":199},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",4,[234,258,284,285,287,317,286,318],"clipper","shaperbox",[210,209,211,277],"avancé",{"path":322,"title":323,"description":324,"order":199,"tags":325,"genres":330,"daw":263,"level":212,"updatedAt":265,"readingTime":215},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",[258,326,327,328,317,286,329],"synthèse","kick 3","enveloppe de pitch","sound design",[210,209,211],{"path":332,"title":333,"description":334,"order":215,"tags":335,"genres":338,"daw":205,"level":212,"updatedAt":222,"readingTime":196},"\u002Ftutos\u002Fkick\u002Flayering","Layering de kick","Kick + tail + sub sur un même coup, alternance kick \u002F tail + sub, traitement parallèle, kickbass en un seul sample : les 4 méthodes de layering d'un kick mentalcore.",[258,336,284,285,259,337],"layering","traitement parallèle",[210,209,277,262],{"path":216,"title":5,"description":206,"order":215,"tags":340,"genres":341,"daw":205,"level":212,"updatedAt":222,"readingTime":199},[232,233,234,235,236,237,238],[209,210,211],{"path":343,"title":344,"description":345,"order":199,"tags":346,"genres":352,"daw":205,"level":212,"updatedAt":222,"readingTime":215},"\u002Ftutos\u002Fmastering\u002Fclub-ou-streaming","Club ou streaming","Les niveaux d'export d'une prod tekno : -7 à -5 LUFS et -0,3 dBTP pour un fichier club, -14 LUFS et -1 dBTP pour les plateformes de streaming.",[232,347,348,349,350,351],"loudness","lufs","true peak","export","streaming",[209,210,211],{"path":354,"title":355,"description":356,"order":199,"tags":357,"genres":364,"daw":205,"level":212,"updatedAt":222,"readingTime":199},"\u002Ftutos\u002Fmixage\u002Fles-bus","Ce qui va sur chaque bus","Les plugins de chaque bus d'une prod tekno : kick bus, bus sans kick, drums, mélodies et vocal, avec les fréquences et les quantités de départ.",[358,359,360,361,362,363],"bus","kick bus","sidechain","saturation","console","mixage",[209,210,211],{"path":366,"title":367,"description":368,"order":215,"tags":369,"genres":371,"daw":205,"level":212,"updatedAt":222,"readingTime":215},"\u002Ftutos\u002Fmixage\u002Froutage-deux-bus","Deux bus, un master","Le routage de base d'une prod tekno : un bus pour le kick, un bus pour tout le reste, qui se creuse dans le grave seulement quand le kick tape.",[370,358,360,359,363],"routage",[209,210,211],{"path":373,"title":374,"description":375,"order":215,"tags":376,"genres":382,"daw":205,"level":212,"updatedAt":278,"readingTime":199},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[285,377,378,379,380,381],"operator","sinus","phase","filtre","utility",[210,209,277,262],1792439551511]