[{"data":1,"prerenderedAt":360},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fkick\u002Fvocabulaire-du-kick":3,"plugin-index":172,"tutos-all":232},{"id":4,"title":5,"body":6,"daw":145,"description":146,"extension":147,"genres":148,"level":152,"meta":153,"navigation":154,"order":155,"path":156,"plugins":157,"readingTime":155,"seo":158,"sitemap":159,"stem":163,"steps":164,"tags":165,"updatedAt":162,"__hash__":171},"tutos\u002Ftutos\u002Fkick\u002Fvocabulaire-du-kick.md","Vocabulaire du kick",{"type":7,"value":8,"toc":138},"minimark",[9,14,109,117,121,129],[10,11,13],"h2",{"id":12},"les-mots-du-kick","Les mots du kick",[15,16,17,30],"table",{},[18,19,20],"thead",{},[21,22,23,27],"tr",{},[24,25,26],"th",{},"Terme",[24,28,29],{},"Définition",[31,32,33,45,55,65,79,89,99],"tbody",{},[21,34,35,42],{},[36,37,38],"td",{},[39,40,41],"strong",{},"Click \u002F attack",[36,43,44],{},"Le « tac » : transient très court (5–15 ms), dans les aigus (2–8 kHz). Donne la définition.",[21,46,47,52],{},[36,48,49],{},[39,50,51],{},"Body",[36,53,54],{},"L'impact : corps grave-médium (80–250 Hz) avec descente de pitch rapide.",[21,56,57,62],{},[36,58,59],{},[39,60,61],{},"Kick (ou punch)",[36,63,64],{},"Click + Body. Le coup en lui-même.",[21,66,67,72],{},[36,68,69],{},[39,70,71],{},"Tail",[36,73,74,75,78],{},"La queue distordue après le kick : grain, rumble. Normalement ",[39,76,77],{},"sans grave"," (passe-haut 80–100 Hz).",[21,80,81,86],{},[36,82,83],{},[39,84,85],{},"Sub",[36,87,88],{},"Sinus propre sous le tail : le poids. Accordé sur la note du kick.",[21,90,91,96],{},[36,92,93],{},[39,94,95],{},"Kickbass",[36,97,98],{},"Le son final complet : kick + tail + sub (ou kick qui porte lui-même sa basse).",[21,100,101,106],{},[36,102,103],{},[39,104,105],{},"Rumble",[36,107,108],{},"Grondement continu obtenu par reverb puis distorsion. Typique tekno.",[110,111,112],"p",{},[113,114],"img",{"alt":115,"src":116},"kick tutos","https:\u002F\u002Ffichiers.frequence-libre.com\u002Fimages\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick\u002Fkick-tutos-mvf47tvi.webp",[10,118,120],{"id":119},"la-règle-de-base","La règle de base",[122,123,126],"callout",{"title":124,"type":125},"La distorsion détruit le grave","piege",[110,127,128],{},"On ne distord jamais fortement une couche qui contient la sub, sinon le bas devient boueux et instable sur un système son.",[110,130,131,132,137],{},"Pour voir comment ces couches s'assemblent : ",[133,134,136],"a",{"href":135},"\u002Ftutos\u002Fkick\u002Ffaire-un-kick","faire un kick",".",{"title":139,"searchDepth":140,"depth":140,"links":141},"",3,[142,144],{"id":12,"depth":143,"text":13},2,{"id":119,"depth":143,"text":120},"any","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.","md",[149,150,151],"tekno","mentalcore","hardstyle","débutant",{},true,1,"\u002Ftutos\u002Fkick\u002Fvocabulaire-du-kick",[],{"title":5,"description":146},{"loc":156,"images":160,"lastmod":162},[161],{"loc":116},"2026-10-19","tutos\u002Fkick\u002Fvocabulaire-du-kick",null,[166,167,168,169,170],"kick","tail","sub","rumble","distorsion","FJiCvUXh_QOeKpp1dCYHUy91MxO_RO9f7IlKnHU4Gy0",[173,179,185,194,201,207,212,217,224],{"name":174,"path":175,"aliases":176},"bx_clipper","\u002Fplugins\u002Fbx-clipper",[177,178],"bx clipper","Brainworx bx_clipper",{"name":180,"path":181,"aliases":182},"bx_console SSL 4000 G","\u002Fplugins\u002Fbx-console-ssl-4000-g",[183,180,184],"SSL 4000 G","SSL 4000",{"name":186,"path":187,"aliases":188},"elysia karacter","\u002Fplugins\u002Felysia-karacter",[189,190,191,192,193],"karacter","karacter master","karacter mix","elysia karacter master","elysia karacter mix",{"name":195,"path":196,"aliases":197},"Pro-Q 4","\u002Fplugins\u002Ffabfilter-pro-q-4",[198,199,200],"FabFilter Pro-Q 4","Pro Q 4","ProQ 4",{"name":202,"path":203,"aliases":204},"Kick 3","\u002Fplugins\u002Fkick-3",[205,206],"KICK 3","Sonic Academy Kick 3",{"name":208,"path":209,"aliases":210},"Elevate","\u002Fplugins\u002Fnewfangled-elevate",[211],"Newfangled Elevate",{"name":213,"path":214,"aliases":215},"Punctuate","\u002Fplugins\u002Fnewfangled-punctuate",[216],"Newfangled Punctuate",{"name":218,"path":219,"aliases":220},"Serum 2","\u002Fplugins\u002Fserum-2",[221,222,223],"Serum","SerumFX","Xfer Serum",{"name":225,"path":226,"aliases":227},"Shadow Hills Mastering Compressor Class A","\u002Fplugins\u002Fshadow-hills-class-a",[228,229,230,231],"Shadow Hills","Shadow Hills A","Shadow Hills Class A","Shadow Hills Class A Mastering Comp",[233,249,262,273,284,296,307,315,318,332,343,350],{"path":234,"title":235,"description":236,"order":155,"tags":237,"genres":245,"daw":145,"level":247,"updatedAt":248,"readingTime":155},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[238,239,240,241,242,243,244],"drums","drill","trap","hi-hats","808","snare","half-time",[246,149,150],"tekrap","inter","2026-10-13",{"path":250,"title":251,"description":252,"order":253,"tags":254,"genres":259,"daw":261,"level":247,"updatedAt":248,"readingTime":143},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",6,[255,256,257,166,168,258],"accordage","note","fréquence","spectrum",[150,149,260,151],"hard-tekno","ableton",{"path":263,"title":264,"description":265,"order":266,"tags":267,"genres":271,"daw":261,"level":272,"updatedAt":248,"readingTime":143},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",7,[268,166,167,168,170,269,169,270],"chaîne d'effets","clipper","shaperbox",[150,149,260,151],"avancé",{"path":274,"title":275,"description":276,"order":143,"tags":277,"genres":282,"daw":145,"level":152,"updatedAt":283,"readingTime":155},"\u002Ftutos\u002Fkick\u002Fdurees-et-tempo","Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[278,279,166,280,281],"tempo","bpm","kickbass","durées",[150,149,246],"2026-10-14",{"path":135,"title":285,"description":286,"order":140,"tags":287,"genres":293,"daw":261,"level":247,"updatedAt":294,"readingTime":295},"Faire un kick, du layering au mixage","Attaque, punch, tails qui portent la sub : construire un kick tekno \u002F mentalcore couche par couche, les accorder, les faire passer la main, les mettre en phase, puis les coller sur le groupe sans perdre le grave.",[166,288,289,167,168,280,290,291,269,292],"layering","punch","mixage","glue","sidechain",[150,149,260,151,246],"2026-10-23",5,{"path":297,"title":298,"description":299,"order":300,"tags":301,"genres":306,"daw":145,"level":247,"updatedAt":283,"readingTime":155},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",4,[166,302,303,304,269,169,305],"synthèse","kick 3","enveloppe de pitch","sound design",[150,149,260],{"path":308,"title":309,"description":310,"order":295,"tags":311,"genres":314,"daw":261,"level":247,"updatedAt":294,"readingTime":140},"\u002Ftutos\u002Fkick\u002Fphase-des-couches","Mettre les couches en phase","Pourquoi deux couches de kick s'annulent dans le grave, et comment les mettre en phase : Phase Invert, décalage de quelques ms, phase de départ dans Kick 3, une seule source de sub, et vérifier au Spectrum.",[166,312,288,168,167,289,313],"phase","polarité",[150,149,260,151,246],{"path":156,"title":5,"description":146,"order":155,"tags":316,"genres":317,"daw":145,"level":152,"updatedAt":162,"readingTime":155},[166,167,168,169,170],[149,150,151],{"path":319,"title":320,"description":321,"order":155,"tags":322,"genres":330,"daw":261,"level":247,"updatedAt":331,"readingTime":295},"\u002Ftutos\u002Fmastering\u002Fchaine-master","La chaîne du master","Le master d'une prod tekno en 6 modules : compression + mono, EQ, couleur et Ozone si besoin, clip + limite avec Elevate, puis les mesures. Et les réflexes du mix au master.",[323,324,268,325,326,327,328,329],"mastering","référence","limiteur","compression","elevate","shadow hills","gain staging",[149,150,260],"2026-10-27",{"path":333,"title":334,"description":335,"order":143,"tags":336,"genres":341,"daw":261,"level":247,"updatedAt":342,"readingTime":143},"\u002Ftutos\u002Fmixage\u002Fles-bus","Ce qui va sur chaque bus","Les plugins de chaque bus d'une prod tekno : kick bus, bus sans kick, drums, mélodies et vocal, avec les fréquences et les quantités de départ.",[337,338,292,339,340,290],"bus","kick bus","saturation","console",[149,150,260],"2026-10-22",{"path":344,"title":345,"description":346,"order":155,"tags":347,"genres":349,"daw":261,"level":247,"updatedAt":162,"readingTime":155},"\u002Ftutos\u002Fmixage\u002Froutage-deux-bus","Deux bus, un master","Le routage de base d'une prod tekno : un bus pour le kick, un bus pour tout le reste, qui se creuse dans le grave seulement quand le kick tape.",[348,337,292,338,290],"routage",[149,150,260],{"path":351,"title":352,"description":353,"order":155,"tags":354,"genres":359,"daw":261,"level":247,"updatedAt":248,"readingTime":143},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[168,355,356,312,357,358],"operator","sinus","filtre","utility",[150,149,151,246],1793136280326]