[{"data":1,"prerenderedAt":331},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fkick\u002Fkick-mentalcore":3,"plugin-index":174,"tutos-all":243},{"id":4,"title":5,"body":6,"daw":143,"description":144,"extension":145,"genres":146,"level":150,"meta":151,"navigation":152,"order":140,"path":153,"plugins":154,"readingTime":157,"seo":158,"sitemap":159,"stem":161,"steps":162,"tags":165,"updatedAt":160,"__hash__":173},"tutos\u002Ftutos\u002Fkick\u002Fkick-mentalcore.md","Faire un kick mentalcore",{"type":7,"value":8,"toc":135},"minimark",[9,14,23,27,42,50,93,97,103,128],[10,11,13],"h2",{"id":12},"quel-synthé-de-kick","Quel synthé de kick ?",[15,16,17,18,22],"p",{},"Prends le synthé de kick que tu as : ",[19,20,21],"strong",{},"Kick 3"," (Sonic Academy, celui que j'utilise), Kick 2 ou un autre.\nLes réglages ci-dessous sont donnés pour Kick 3 ; dans un autre synthé, cherche les mêmes réglages\n(couches, enveloppe de pitch, longueur).",[10,24,26],{"id":25},"les-réglages","Les réglages",[28,29,30],"ul",{},[31,32,33,34,37,38,41],"li",{},"Couches dispo dans Kick 3 : ",[19,35,36],{},"Sub"," (body\u002Fbasse) et ",[19,39,40],{},"Click",".",[43,44,47],"callout",{"title":45,"type":46},"Enveloppe de pitch","reglage",[15,48,49],{},"Grosse descente en 10–20 ms, arrivée sur la note finale vers 60–80 ms. Exemple de forme : départ ~4 kHz → ~500 Hz → ~150–200 Hz → note finale.",[28,51,52,59,65,77,83],{},[31,53,54,55,58],{},"Activer ",[19,56,57],{},"Snap"," pour caler les points d'enveloppe sur des notes justes.",[31,60,61,64],{},[19,62,63],{},"Key Track"," : accorde le kick à la note MIDI jouée (pratique pour tester plusieurs tonalités).",[31,66,67,70,71,76],{},[19,68,69],{},"Length"," : voir ",[72,73,75],"a",{"href":74},"\u002Ftutos\u002Fbases\u002Fdurees-et-tempo","durées et tempo"," (attention à ne pas dépasser la durée d'un temps).",[31,78,79,82],{},[19,80,81],{},"Couper le limiteur interne"," de Kick 3 pendant le design (sinon on juge un son écrasé).",[31,84,85,86,89,90,41],{},"Presets utiles comme point de départ : dossiers ",[19,87,88],{},"Hardstyle"," et ",[19,91,92],{},"Techno",[10,94,96],{"id":95},"rendre-le-kick-plus-mentalcore-agressif","Rendre le kick plus « mentalcore » (agressif)",[15,98,99,100,41],{},"Un kick tekno \u002F mentalcore est ",[19,101,102],{},"court, sec, saturé jusqu'à devenir presque carré",[104,105,106,109,115,118,125],"ol",{},[31,107,108],{},"Body plus dur : enveloppe de pitch plus rapide.",[31,110,111,114],{},[19,112,113],{},"Clipper fort"," après la distorsion (c'est souvent la vraie clé de l'agressivité).",[31,116,117],{},"Click plus sale : transient distordu (début de snare saturée, bruit blanc court), passe-haut 1 kHz.",[31,119,120,121,124],{},"Rumble sur le tail : reverb 100 % wet ",[19,122,123],{},"avant"," la distorsion.",[31,126,127],{},"Glue final : groupe kick + tail + sub → clipper → resample.",[15,129,130,131,41],{},"La suite de la chaîne (Disperser, distorsion, clipper…) : ",[72,132,134],{"href":133},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","chaînes de traitement",{"title":136,"searchDepth":137,"depth":137,"links":138},"",3,[139,141,142],{"id":12,"depth":140,"text":13},2,{"id":25,"depth":140,"text":26},{"id":95,"depth":140,"text":96},"any","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe 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Serum",{"name":231,"path":232,"aliases":233},"ShaperBox 3","\u002Fplugins\u002Fshaperbox-3",[234],"ShaperBox",{"name":236,"path":237,"aliases":238},"Spectrum","\u002Fplugins\u002Fspectrum",[],{"name":240,"path":241,"aliases":242},"Utility","\u002Fplugins\u002Futility",[],[244,255,268,277,290,300,309,312,320],{"path":74,"title":245,"description":246,"order":140,"tags":247,"genres":252,"daw":143,"level":254,"updatedAt":160,"readingTime":157},"Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[248,249,166,250,251],"tempo","bpm","kickbass","durées",[147,148,253],"tekrap","débutant",{"path":256,"title":257,"description":258,"order":137,"tags":259,"genres":265,"daw":143,"level":254,"updatedAt":267,"readingTime":157},"\u002Ftutos\u002Fbases\u002Freflexes-generaux","Réflexes généraux de prod","Les 4 réflexes à garder en tête : comparer à volume égal, grave mono, vérifier au Spectrum, morceau de référence dans le projet.",[260,261,262,263,264],"mix","volume égal","mono","spectrum","référence",[148,147,253,149,266],"hardstyle","2026-10-13",{"path":269,"title":270,"description":271,"order":157,"tags":272,"genres":276,"daw":143,"level":254,"updatedAt":267,"readingTime":157},"\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick","Vocabulaire du kick","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.",[166,273,274,171,275],"tail","sub","distorsion",[148,147,266],{"path":278,"title":279,"description":280,"order":157,"tags":281,"genres":289,"daw":143,"level":150,"updatedAt":267,"readingTime":157},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[282,283,284,285,286,287,288],"drums","drill","trap","hi-hats","808","snare","half-time",[253,148,147],{"path":291,"title":292,"description":293,"order":137,"tags":294,"genres":298,"daw":299,"level":150,"updatedAt":267,"readingTime":140},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",[295,296,297,166,274,263],"accordage","note","fréquence",[147,148,149,266],"ableton",{"path":133,"title":301,"description":302,"order":303,"tags":304,"genres":307,"daw":299,"level":308,"updatedAt":267,"readingTime":140},"Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",4,[305,166,273,274,275,170,171,306],"chaîne d'effets","shaperbox",[147,148,149,266],"avancé",{"path":153,"title":5,"description":144,"order":140,"tags":310,"genres":311,"daw":143,"level":150,"updatedAt":160,"readingTime":157},[166,167,168,169,170,171,172],[147,148,149],{"path":313,"title":314,"description":315,"order":157,"tags":316,"genres":319,"daw":299,"level":150,"updatedAt":160,"readingTime":137},"\u002Ftutos\u002Fkick\u002Flayering","Layering de kick","Kick + tail + sub sur un même coup, alternance kick \u002F tail + sub, traitement parallèle, kickbass en un seul sample : les 4 méthodes de layering d'un kick mentalcore.",[166,317,273,274,250,318],"layering","traitement parallèle",[147,148,266,253],{"path":321,"title":322,"description":323,"order":157,"tags":324,"genres":330,"daw":299,"level":150,"updatedAt":267,"readingTime":140},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[274,325,326,327,328,329],"operator","sinus","phase","filtre","utility",[147,148,266,253],1792007220205]