[{"data":1,"prerenderedAt":356},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fkick\u002Fdurees-et-tempo":3,"plugin-index":168,"tutos-all":228},{"id":4,"title":5,"body":6,"daw":143,"description":144,"extension":145,"genres":146,"level":150,"meta":151,"navigation":152,"order":140,"path":153,"plugins":154,"readingTime":155,"seo":156,"sitemap":157,"stem":159,"steps":160,"tags":161,"updatedAt":158,"__hash__":167},"tutos\u002Ftutos\u002Fkick\u002Fdurees-et-tempo.md","Durées et tempo du kick",{"type":7,"value":8,"toc":135},"minimark",[9,14,18,74,92,96,120,124,127],[10,11,13],"h2",{"id":12},"durée-dun-temps","Durée d'un temps",[15,16,17],"p",{},"Durée d'un temps = 60 000 ÷ BPM.",[19,20,21,37],"table",{},[22,23,24],"thead",{},[25,26,27,31,34],"tr",{},[28,29,30],"th",{},"Valeur",[28,32,33],{},"150 BPM",[28,35,36],{},"155 BPM",[38,39,40,52,63],"tbody",{},[25,41,42,46,49],{},[43,44,45],"td",{},"1 temps",[43,47,48],{},"400 ms",[43,50,51],{},"387 ms",[25,53,54,57,60],{},[43,55,56],{},"1\u002F8",[43,58,59],{},"200 ms",[43,61,62],{},"194 ms",[25,64,65,68,71],{},[43,66,67],{},"1\u002F16",[43,69,70],{},"100 ms",[43,72,73],{},"97 ms",[75,76,78],"callout",{"type":77},"astuce",[15,79,80,81,86,87,91],{},"Pour un autre tempo : ",[82,83,85],"a",{"href":84},"\u002Foutils\u002Fbpm-en-ms","le calculateur BPM → ms",". Le tempo d'un morceau de référence : ",[82,88,90],{"href":89},"\u002Foutils\u002Fdetecteur-bpm","le détecteur de BPM",".",[10,93,95],{"id":94},"longueur-du-kick","Longueur du kick",[97,98,99,107,114],"ul",{},[100,101,102,103,91],"li",{},"Plus le tempo est rapide, plus le kick doit être ",[104,105,106],"strong",{},"court",[100,108,109,110,113],{},"Kickbass complet : finir à environ ",[104,111,112],{},"320–350 ms"," (à 155 BPM), pour laisser 35–65 ms de souffle avant le kick suivant.",[100,115,116,117,91],{},"Kick seul (si tail à part) : ",[104,118,119],{},"100–150 ms",[10,121,123],{"id":122},"repères-de-placement-à-155-bpm","Repères de placement à 155 BPM",[15,125,126],{},"Click 0–10 ms, body 0–130 ms, tail 40–350 ms, sub 5–350 ms (attack 5–10 ms).",[128,129],"layering",{":bpm":130,":layers":131,"caption":132,"title":133,"view":134},"155","[{\"name\":\"Click\",\"start\":0,\"end\":10,\"color\":\"tape\"},{\"name\":\"Body\",\"start\":0,\"end\":130,\"color\":\"warning\"},{\"name\":\"Tail\",\"start\":40,\"end\":350,\"color\":\"uv\"},{\"name\":\"Sub\",\"start\":[5,10],\"end\":350,\"color\":\"acid\",\"detail\":\"Attack 5–10 ms.\"}]","fin du kickbass vers 320–350 ms · 35–65 ms de souffle avant le kick suivant","Repères de placement","time",{"title":136,"searchDepth":137,"depth":137,"links":138},"",3,[139,141,142],{"id":12,"depth":140,"text":13},2,{"id":94,"depth":140,"text":95},{"id":122,"depth":140,"text":123},"any","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.","md",[147,148,149],"mentalcore","tekno","tekrap","débutant",{},true,"\u002Ftutos\u002Fkick\u002Fdurees-et-tempo",[],1,{"title":5,"description":144},{"loc":153,"lastmod":158},"2026-10-14","tutos\u002Fkick\u002Fdurees-et-tempo",null,[162,163,164,165,166],"tempo","bpm","kick","kickbass","durées","3yWFBXo5B_nB8RQG0AkAbriOWatz-Lt6AFExE89V2qo",[169,175,181,190,197,203,208,213,220],{"name":170,"path":171,"aliases":172},"bx_clipper","\u002Fplugins\u002Fbx-clipper",[173,174],"bx clipper","Brainworx bx_clipper",{"name":176,"path":177,"aliases":178},"bx_console SSL 4000 G","\u002Fplugins\u002Fbx-console-ssl-4000-g",[179,176,180],"SSL 4000 G","SSL 4000",{"name":182,"path":183,"aliases":184},"elysia karacter","\u002Fplugins\u002Felysia-karacter",[185,186,187,188,189],"karacter","karacter master","karacter mix","elysia karacter master","elysia karacter mix",{"name":191,"path":192,"aliases":193},"Pro-Q 4","\u002Fplugins\u002Ffabfilter-pro-q-4",[194,195,196],"FabFilter Pro-Q 4","Pro Q 4","ProQ 4",{"name":198,"path":199,"aliases":200},"Kick 3","\u002Fplugins\u002Fkick-3",[201,202],"KICK 3","Sonic Academy Kick 3",{"name":204,"path":205,"aliases":206},"Elevate","\u002Fplugins\u002Fnewfangled-elevate",[207],"Newfangled Elevate",{"name":209,"path":210,"aliases":211},"Punctuate","\u002Fplugins\u002Fnewfangled-punctuate",[212],"Newfangled Punctuate",{"name":214,"path":215,"aliases":216},"Serum 2","\u002Fplugins\u002Fserum-2",[217,218,219],"Serum","SerumFX","Xfer Serum",{"name":221,"path":222,"aliases":223},"Shadow Hills Mastering Compressor Class A","\u002Fplugins\u002Fshadow-hills-class-a",[224,225,226,227],"Shadow Hills","Shadow Hills A","Shadow Hills Class A","Shadow Hills Class A Mastering Comp",[229,244,259,273,276,288,299,307,314,328,339,346],{"path":230,"title":231,"description":232,"order":155,"tags":233,"genres":241,"daw":143,"level":242,"updatedAt":243,"readingTime":155},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[234,235,236,237,238,239,240],"drums","drill","trap","hi-hats","808","snare","half-time",[149,148,147],"inter","2026-10-13",{"path":245,"title":246,"description":247,"order":248,"tags":249,"genres":255,"daw":258,"level":242,"updatedAt":243,"readingTime":140},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",6,[250,251,252,164,253,254],"accordage","note","fréquence","sub","spectrum",[147,148,256,257],"hard-tekno","hardstyle","ableton",{"path":260,"title":261,"description":262,"order":263,"tags":264,"genres":271,"daw":258,"level":272,"updatedAt":243,"readingTime":140},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",7,[265,164,266,253,267,268,269,270],"chaîne d'effets","tail","distorsion","clipper","rumble","shaperbox",[147,148,256,257],"avancé",{"path":153,"title":5,"description":144,"order":140,"tags":274,"genres":275,"daw":143,"level":150,"updatedAt":158,"readingTime":155},[162,163,164,165,166],[147,148,149],{"path":277,"title":278,"description":279,"order":137,"tags":280,"genres":285,"daw":258,"level":242,"updatedAt":286,"readingTime":287},"\u002Ftutos\u002Fkick\u002Ffaire-un-kick","Faire un kick, du layering au mixage","Attaque, punch, tails qui portent la sub : construire un kick tekno \u002F mentalcore couche par couche, les accorder, les faire passer la main, les mettre en phase, puis les coller sur le groupe sans perdre le grave.",[164,128,281,266,253,165,282,283,268,284],"punch","mixage","glue","sidechain",[147,148,256,257,149],"2026-10-23",5,{"path":289,"title":290,"description":291,"order":292,"tags":293,"genres":298,"daw":143,"level":242,"updatedAt":158,"readingTime":155},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",4,[164,294,295,296,268,269,297],"synthèse","kick 3","enveloppe de pitch","sound design",[147,148,256],{"path":300,"title":301,"description":302,"order":287,"tags":303,"genres":306,"daw":258,"level":242,"updatedAt":286,"readingTime":137},"\u002Ftutos\u002Fkick\u002Fphase-des-couches","Mettre les couches en phase","Pourquoi deux couches de kick s'annulent dans le grave, et comment les mettre en phase : Phase Invert, décalage de quelques ms, phase de départ dans Kick 3, une seule source de sub, et vérifier au Spectrum.",[164,304,128,253,266,281,305],"phase","polarité",[147,148,256,257,149],{"path":308,"title":309,"description":310,"order":155,"tags":311,"genres":312,"daw":143,"level":150,"updatedAt":313,"readingTime":155},"\u002Ftutos\u002Fkick\u002Fvocabulaire-du-kick","Vocabulaire du kick","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.",[164,266,253,269,267],[148,147,257],"2026-10-19",{"path":315,"title":316,"description":317,"order":155,"tags":318,"genres":326,"daw":258,"level":242,"updatedAt":327,"readingTime":287},"\u002Ftutos\u002Fmastering\u002Fchaine-master","La chaîne du master","Le master d'une prod tekno en 6 modules : compression + mono, EQ, couleur et Ozone si besoin, clip + limite avec Elevate, puis les mesures. Et les réflexes du mix au master.",[319,320,265,321,322,323,324,325],"mastering","référence","limiteur","compression","elevate","shadow hills","gain staging",[148,147,256],"2026-10-27",{"path":329,"title":330,"description":331,"order":140,"tags":332,"genres":337,"daw":258,"level":242,"updatedAt":338,"readingTime":140},"\u002Ftutos\u002Fmixage\u002Fles-bus","Ce qui va sur chaque bus","Les plugins de chaque bus d'une prod tekno : kick bus, bus sans kick, drums, mélodies et vocal, avec les fréquences et les quantités de départ.",[333,334,284,335,336,282],"bus","kick bus","saturation","console",[148,147,256],"2026-10-22",{"path":340,"title":341,"description":342,"order":155,"tags":343,"genres":345,"daw":258,"level":242,"updatedAt":313,"readingTime":155},"\u002Ftutos\u002Fmixage\u002Froutage-deux-bus","Deux bus, un master","Le routage de base d'une prod tekno : un bus pour le kick, un bus pour tout le reste, qui se creuse dans le grave seulement quand le kick tape.",[344,333,284,334,282],"routage",[148,147,256],{"path":347,"title":348,"description":349,"order":155,"tags":350,"genres":355,"daw":258,"level":242,"updatedAt":243,"readingTime":140},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[253,351,352,304,353,354],"operator","sinus","filtre","utility",[147,148,257,149],1793136280344]