[{"data":1,"prerenderedAt":327},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail":3,"plugin-index":182,"tutos-all":240},{"id":4,"title":5,"body":6,"daw":134,"description":135,"extension":136,"genres":137,"level":142,"meta":143,"navigation":144,"order":145,"path":146,"plugins":147,"readingTime":130,"seo":167,"sitemap":168,"stem":170,"steps":171,"tags":172,"updatedAt":169,"__hash__":181},"tutos\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail.md","Chaînes de traitement du kick",{"type":7,"value":8,"toc":125},"minimark",[9,14,18,22,26,40,44,79,83,87,113],[10,11,13],"h2",{"id":12},"chaîne-du-kick-temps-1","Chaîne du kick (temps 1)",[15,16],"chaine",{":steps":17,"title":13},"[{\"role\":\"Synthèse\",\"plugins\":\"Kick 3\"},{\"role\":\"Phase\",\"plugins\":\"Disperser\",\"note\":\"kiloHearts. Crée le « tok », à placer **avant** la distorsion\"},{\"role\":\"Distorsion\",\"plugins\":[\"Faturator\",\"Saturn 2\",\"SerumFX\"],\"note\":\"Faturator, **Saturn 2** multibande (grave \u003C 100 Hz propre), ou **distorsion de Serum** via SerumFX\"},{\"role\":\"Clipper\",\"plugins\":[\"Saturate\",\"bx_clipper\",\"kHs Clipper\",\"Classic Clipper\"],\"note\":\"Newfangled Saturate (drive fort), bx_clipper, kHs Clipper ou Classic Clipper\"},{\"role\":\"Transient\",\"plugins\":\"Punctuate\",\"note\":\"Newfangled. Si l'attaque se perd après le clip\",\"optional\":true},{\"role\":\"EQ\",\"plugins\":\"Pro-Q 4\"}]",[10,19,21],{"id":20},"chaîne-du-tail-uniquement-le-tail-jamais-la-sub","Chaîne du tail (uniquement le tail, jamais la sub)",[15,23],{":steps":24,"title":25},"[{\"role\":\"Source\",\"label\":\"Source du tail\"},{\"role\":\"Reverb\",\"plugins\":\"Pro-R 2\",\"note\":\"En 100 % wet, decay court (0,5–1 s) → base du rumble\"},{\"role\":\"Distorsion multibande\",\"plugins\":[\"Multipass\",\"Saturn 2\"],\"note\":\"Multipass (kiloHearts) avec Faturator sur les médiums, ou Saturn 2\"},{\"role\":\"Compression\",\"plugins\":\"OTT\",\"note\":\"Depth 30–50 %\"},{\"role\":\"Grain\",\"plugins\":[\"bx_blackdist2\",\"bx_greenscreamer\"]},{\"role\":\"Aigus\",\"plugins\":\"soothe2\",\"note\":\"Léger si ça siffle\",\"optional\":true},{\"role\":\"EQ\",\"plugins\":\"Pro-Q 4\",\"note\":\"Passe-haut ~90 Hz, creuser 2–4 kHz si agressif\"},{\"role\":\"Mono\",\"plugins\":\"Utility\",\"note\":\"Utility mono\"}]","Chaîne du tail",[27,28,31],"callout",{"type":29,"title":30},"piege","Jamais la sub dans cette chaîne",[32,33,34,35,39],"p",{},"La sub ne passe ",[36,37,38],"strong",{},"jamais"," dans cette chaîne : elle garde seulement sinus + passe-bas 110 Hz + Utility mono.",[10,41,43],{"id":42},"groupe-tail-sub","Groupe tail + sub",[45,46,47,51,73],"ul",{},[48,49,50],"li",{},"Ctrl+G sur les deux pistes.",[48,52,53,54],{},"Sur le bus du groupe, seulement ce qui doit agir sur les deux :\n",[45,55,56,66],{},[48,57,58,61,62,65],{},[36,59,60],{},"ShaperBox 3"," (pour que tail ",[36,63,64],{},"et"," sub soient découpés avec la même forme)",[48,67,68,69,72],{},"Un ",[36,70,71],{},"clipper léger"," pour coller",[48,74,75,78],{},[36,76,77],{},"Pas de grosse distorsion"," sur le bus du groupe.",[15,80],{":steps":81,"title":82},"[{\"role\":\"Découpe\",\"plugins\":\"ShaperBox 3\",\"note\":\"Tail **et** sub découpés avec la même forme\"},{\"role\":\"Glue\",\"label\":\"Clipper léger\",\"note\":\"Pour coller\"}]","Bus du groupe tail + sub",[10,84,86],{"id":85},"ordre-des-effets-règles","Ordre des effets : règles",[45,88,89,94,100,106],{},[48,90,91],{},[36,92,93],{},"Disperser avant la distorsion.",[48,95,96,99],{},[36,97,98],{},"ShaperBox à la fin",", après la distorsion (sinon la disto remplit les trous et l'effet disparaît). Garder une petite rampe de quelques ms à chaque coupure pour éviter les clics.",[48,101,102,105],{},[36,103,104],{},"Empiler 2 distorsions à drive moyen"," plutôt qu'une seule à fond : plus dense, moins « crade ».",[48,107,108,109,112],{},"Chaîne classique hardstyle \u002F tekno : ",[36,110,111],{},"distorsion → OTT → distorsion",".",[27,114,116],{"type":115},"astuce",[32,117,118,119,124],{},"Pour automatiser les effets sans perdre l'impact ni le grave : le traitement parallèle (",[120,121,123],"a",{"href":122},"\u002Ftutos\u002Fkick\u002Flayering","méthode C du layering",").",{"title":126,"searchDepth":127,"depth":127,"links":128},"",3,[129,131,132,133],{"id":12,"depth":130,"text":13},2,{"id":20,"depth":130,"text":21},{"id":42,"depth":130,"text":43},{"id":85,"depth":130,"text":86},"ableton","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des 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d'effets","kick","tail","sub","distorsion","clipper","rumble","shaperbox","yr8i7cMNq54OpA6kzKM-aYnWLkyu8x7YZ4m8-A7abzc",[183,186,189,194,198,202,205,208,211,215,219,222,226,230,233,237],{"name":184,"path":149,"aliases":185},"bx_clipper",[],{"name":187,"path":152,"aliases":188},"Disperser",[],{"name":190,"path":153,"aliases":191},"Pro-Q 4",[192,193],"FabFilter Pro-Q 4","Pro-Q 4 dynamique",{"name":195,"path":154,"aliases":196},"Pro-R 2",[197],"FabFilter Pro-R 2",{"name":199,"path":155,"aliases":200},"Saturn 2",[201],"FabFilter Saturn 2",{"name":203,"path":156,"aliases":204},"Faturator",[],{"name":206,"path":158,"aliases":207},"Kick 3",[],{"name":209,"path":159,"aliases":210},"Multipass",[],{"name":212,"path":161,"aliases":213},"Saturate",[214],"Newfangled Saturate",{"name":216,"path":217,"aliases":218},"Operator","\u002Fplugins\u002Foperator",[],{"name":220,"path":162,"aliases":221},"OTT",[],{"name":223,"path":224,"aliases":225},"Serum 2","\u002Fplugins\u002Fserum-2",[],{"name":227,"path":163,"aliases":228},"SerumFX",[229],"distorsion de Serum",{"name":60,"path":164,"aliases":231},[232],"ShaperBox",{"name":234,"path":235,"aliases":236},"Spectrum","\u002Fplugins\u002Fspectrum",[],{"name":238,"path":166,"aliases":239},"Utility",[],[241,256,267,273,287,296,299,309,316],{"path":242,"title":243,"description":244,"order":130,"tags":245,"genres":250,"daw":252,"level":253,"updatedAt":254,"readingTime":255},"\u002Ftutos\u002Fbases\u002Fdurees-et-tempo","Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[246,247,174,248,249],"tempo","bpm","kickbass","durées",[138,139,251],"tekrap","any","débutant","2026-10-14",1,{"path":257,"title":258,"description":259,"order":127,"tags":260,"genres":266,"daw":252,"level":253,"updatedAt":169,"readingTime":255},"\u002Ftutos\u002Fbases\u002Freflexes-generaux","Réflexes généraux de prod","Les 4 réflexes à garder en tête : comparer à volume égal, grave mono, vérifier au Spectrum, morceau de référence dans le projet.",[261,262,263,264,265],"mix","volume égal","mono","spectrum","référence",[139,138,251,140,141],{"path":268,"title":269,"description":270,"order":255,"tags":271,"genres":272,"daw":252,"level":253,"updatedAt":169,"readingTime":255},"\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick","Vocabulaire du kick","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.",[174,175,176,179,177],[139,138,141],{"path":274,"title":275,"description":276,"order":255,"tags":277,"genres":285,"daw":252,"level":286,"updatedAt":169,"readingTime":255},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[278,279,280,281,282,283,284],"drums","drill","trap","hi-hats","808","snare","half-time",[251,139,138],"inter",{"path":288,"title":289,"description":290,"order":127,"tags":291,"genres":295,"daw":134,"level":286,"updatedAt":169,"readingTime":130},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",[292,293,294,174,176,264],"accordage","note","fréquence",[138,139,140,141],{"path":146,"title":5,"description":135,"order":145,"tags":297,"genres":298,"daw":134,"level":142,"updatedAt":169,"readingTime":130},[173,174,175,176,177,178,179,180],[138,139,140,141],{"path":300,"title":301,"description":302,"order":130,"tags":303,"genres":308,"daw":252,"level":286,"updatedAt":254,"readingTime":255},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",[174,304,305,306,178,179,307],"synthèse","kick 3","enveloppe de pitch","sound design",[138,139,140],{"path":122,"title":310,"description":311,"order":255,"tags":312,"genres":315,"daw":134,"level":286,"updatedAt":254,"readingTime":127},"Layering de kick","Kick + tail + sub sur un même coup, alternance kick \u002F tail + sub, traitement parallèle, kickbass en un seul sample : les 4 méthodes de layering d'un kick mentalcore.",[174,313,175,176,248,314],"layering","traitement parallèle",[138,139,141,251],{"path":317,"title":318,"description":319,"order":255,"tags":320,"genres":326,"daw":134,"level":286,"updatedAt":169,"readingTime":130},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[176,321,322,323,324,325],"operator","sinus","phase","filtre","utility",[138,139,141,251],1792007220886]