[{"data":1,"prerenderedAt":452},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fkick\u002Faccorder-son-kick":3,"plugin-index":291,"tutos-all":361},{"id":4,"title":5,"body":6,"daw":264,"description":265,"extension":266,"genres":267,"level":272,"meta":273,"navigation":274,"order":259,"path":275,"plugins":276,"readingTime":262,"seo":278,"sitemap":279,"stem":281,"steps":282,"tags":283,"updatedAt":280,"__hash__":290},"tutos\u002Ftutos\u002Fkick\u002Faccorder-son-kick.md","Notes et accordage du kick",{"type":7,"value":8,"toc":257},"minimark",[9,14,36,40,194,241],[10,11,13],"h2",{"id":12},"piège-ableton-nommage-des-octaves","Piège Ableton : nommage des octaves",[15,16,19],"callout",{"type":17,"title":18},"piege","C3 au lieu de C4",[20,21,22,23,27,28,31,32,35],"p",{},"Ableton nomme le do du milieu ",[24,25,26],"strong",{},"C3"," (au lieu de C4 en notation scientifique). Donc ",[24,29,30],{},"dans Ableton, une note est affichée une octave plus bas que sa notation scientifique"," : D#1 (38,9 Hz) = ",[24,33,34],{},"D#0 dans le piano roll d'Ableton",". Le Spectrum d'Ableton utilise la même convention. Toujours vérifier la fréquence en Hz au Spectrum.",[10,37,39],{"id":38},"quelle-note-pour-un-kick-mentalcore","Quelle note pour un kick mentalcore ?",[41,42,43,62],"table",{},[44,45,46],"thead",{},[47,48,49,53,56,59],"tr",{},[50,51,52],"th",{},"Note (scientifique)",[50,54,55],{},"Fréquence",[50,57,58],{},"Note dans Ableton",[50,60,61],{},"Caractère",[63,64,65,80,94,108,130,152,166,180],"tbody",{},[47,66,67,71,74,77],{},[68,69,70],"td",{},"D#1",[68,72,73],{},"38,9 Hz",[68,75,76],{},"D#0",[68,78,79],{},"Très profond, peu audible hors gros système",[47,81,82,85,88,91],{},[68,83,84],{},"E1",[68,86,87],{},"41,2 Hz",[68,89,90],{},"E0",[68,92,93],{},"Limite basse : en dessous, beaucoup de systèmes s'écroulent",[47,95,96,99,102,105],{},[68,97,98],{},"F1",[68,100,101],{},"43,7 Hz",[68,103,104],{},"F0",[68,106,107],{},"Profond, encore solide",[47,109,110,115,120,125],{},[68,111,112],{},[24,113,114],{},"F#1",[68,116,117],{},[24,118,119],{},"46,2 Hz",[68,121,122],{},[24,123,124],{},"F#0",[68,126,127],{},[24,128,129],{},"Bon équilibre poids \u002F punch",[47,131,132,137,142,147],{},[68,133,134],{},[24,135,136],{},"G1",[68,138,139],{},[24,140,141],{},"49,0 Hz",[68,143,144],{},[24,145,146],{},"G0",[68,148,149],{},[24,150,151],{},"Très courant en hard tekno \u002F hardstyle",[47,153,154,157,160,163],{},[68,155,156],{},"G#1",[68,158,159],{},"51,9 Hz",[68,161,162],{},"G#0",[68,164,165],{},"Punchy, bien audible",[47,167,168,171,174,177],{},[68,169,170],{},"A1",[68,172,173],{},"55,0 Hz",[68,175,176],{},"A0",[68,178,179],{},"Très percutant, typique tekno « free party »",[47,181,182,185,188,191],{},[68,183,184],{},"A#1",[68,186,187],{},"58,3 Hz",[68,189,190],{},"A#0",[68,192,193],{},"Haut, très présent, moins de poids",[195,196,197,205,208,223,234],"ul",{},[198,199,200,201,204],"li",{},"Zone la plus sûre : ",[24,202,203],{},"F#1 à A1 (46–55 Hz)",".",[198,206,207],{},"Sous E1 (41 Hz), beaucoup de systèmes s'écroulent et le kick paraît faible sur enceintes de studio \u002F casque.",[198,209,210,211,214,215,218,219,222],{},"Le kick n'est pas obligé d'être sur la tonique : il doit être ",[24,212,213],{},"consonant",". Exemple en ré dièse mineur : kick sur ",[24,216,217],{},"F#"," (tierce mineure, 46,2 Hz) ou ",[24,220,221],{},"A#"," (quinte, 58,3 Hz).",[198,224,225,226,229,230,233],{},"Réaccorder ",[24,227,228],{},"à la fois"," la fin de l'enveloppe de pitch du kick ",[24,231,232],{},"et"," la note de la sub.",[198,235,236,237,240],{},"Meilleure méthode pour choisir : mettre un ",[24,238,239],{},"Spectrum"," sur 2–3 morceaux mentalcore de référence et regarder le pic le plus bas du kick.",[15,242,244],{"type":243},"astuce",[20,245,246,247,252,253,204],{},"Les notes consonantes de n'importe quelle tonalité : ",[248,249,251],"a",{"href":250},"\u002Foutils\u002Faccordage-kick","l'outil d'accordage du kick",". Pour convertir une note en Hz (avec le nommage Ableton) : ",[248,254,256],{"href":255},"\u002Foutils\u002Fnote-frequence","note ↔ fréquence",{"title":258,"searchDepth":259,"depth":259,"links":260},"",3,[261,263],{"id":12,"depth":262,"text":13},2,{"id":38,"depth":262,"text":39},"ableton","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.","md",[268,269,270,271],"mentalcore","tekno","hard-tekno","hardstyle","inter",{},true,"\u002Ftutos\u002Fkick\u002Faccorder-son-kick",[277],"\u002Fplugins\u002Fspectrum",{"title":5,"description":265},{"loc":275,"lastmod":280},"2026-10-13","tutos\u002Fkick\u002Faccorder-son-kick",null,[284,285,286,287,288,289],"accordage","note","fréquence","kick","sub","spectrum","UrUVNNMMmZ7pZyGU3eHVfYOaEr29-ZdLkm6KmiW01_E",[292,296,300,306,311,316,320,324,328,333,337,341,345,350,355,357],{"name":293,"path":294,"aliases":295},"bx_clipper","\u002Fplugins\u002Fbx-clipper",[],{"name":297,"path":298,"aliases":299},"Disperser","\u002Fplugins\u002Fdisperser",[],{"name":301,"path":302,"aliases":303},"Pro-Q 4","\u002Fplugins\u002Ffabfilter-pro-q-4",[304,305],"FabFilter Pro-Q 4","Pro-Q 4 dynamique",{"name":307,"path":308,"aliases":309},"Pro-R 2","\u002Fplugins\u002Ffabfilter-pro-r-2",[310],"FabFilter Pro-R 2",{"name":312,"path":313,"aliases":314},"Saturn 2","\u002Fplugins\u002Ffabfilter-saturn-2",[315],"FabFilter Saturn 2",{"name":317,"path":318,"aliases":319},"Faturator","\u002Fplugins\u002Ffaturator",[],{"name":321,"path":322,"aliases":323},"Kick 3","\u002Fplugins\u002Fkick-3",[],{"name":325,"path":326,"aliases":327},"Multipass","\u002Fplugins\u002Fmultipass",[],{"name":329,"path":330,"aliases":331},"Saturate","\u002Fplugins\u002Fnewfangled-saturate",[332],"Newfangled Saturate",{"name":334,"path":335,"aliases":336},"Operator","\u002Fplugins\u002Foperator",[],{"name":338,"path":339,"aliases":340},"OTT","\u002Fplugins\u002Fott",[],{"name":342,"path":343,"aliases":344},"Serum 2","\u002Fplugins\u002Fserum-2",[],{"name":346,"path":347,"aliases":348},"SerumFX","\u002Fplugins\u002Fserumfx",[349],"distorsion de Serum",{"name":351,"path":352,"aliases":353},"ShaperBox 3","\u002Fplugins\u002Fshaperbox-3",[354],"ShaperBox",{"name":239,"path":277,"aliases":356},[],{"name":358,"path":359,"aliases":360},"Utility","\u002Fplugins\u002Futility",[],[362,377,387,396,409,412,423,433,441],{"path":363,"title":364,"description":365,"order":262,"tags":366,"genres":371,"daw":373,"level":374,"updatedAt":375,"readingTime":376},"\u002Ftutos\u002Fbases\u002Fdurees-et-tempo","Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[367,368,287,369,370],"tempo","bpm","kickbass","durées",[268,269,372],"tekrap","any","débutant","2026-10-14",1,{"path":378,"title":379,"description":380,"order":259,"tags":381,"genres":386,"daw":373,"level":374,"updatedAt":280,"readingTime":376},"\u002Ftutos\u002Fbases\u002Freflexes-generaux","Réflexes généraux de prod","Les 4 réflexes à garder en tête : comparer à volume égal, grave mono, vérifier au Spectrum, morceau de référence dans le projet.",[382,383,384,289,385],"mix","volume égal","mono","référence",[269,268,372,270,271],{"path":388,"title":389,"description":390,"order":376,"tags":391,"genres":395,"daw":373,"level":374,"updatedAt":280,"readingTime":376},"\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick","Vocabulaire du kick","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.",[287,392,288,393,394],"tail","rumble","distorsion",[269,268,271],{"path":397,"title":398,"description":399,"order":376,"tags":400,"genres":408,"daw":373,"level":272,"updatedAt":280,"readingTime":376},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[401,402,403,404,405,406,407],"drums","drill","trap","hi-hats","808","snare","half-time",[372,269,268],{"path":275,"title":5,"description":265,"order":259,"tags":410,"genres":411,"daw":264,"level":272,"updatedAt":280,"readingTime":262},[284,285,286,287,288,289],[268,269,270,271],{"path":413,"title":414,"description":415,"order":416,"tags":417,"genres":421,"daw":264,"level":422,"updatedAt":280,"readingTime":262},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",4,[418,287,392,288,394,419,393,420],"chaîne d'effets","clipper","shaperbox",[268,269,270,271],"avancé",{"path":424,"title":425,"description":426,"order":262,"tags":427,"genres":432,"daw":373,"level":272,"updatedAt":375,"readingTime":376},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",[287,428,429,430,419,393,431],"synthèse","kick 3","enveloppe de pitch","sound design",[268,269,270],{"path":434,"title":435,"description":436,"order":376,"tags":437,"genres":440,"daw":264,"level":272,"updatedAt":375,"readingTime":259},"\u002Ftutos\u002Fkick\u002Flayering","Layering de kick","Kick + tail + sub sur un même coup, alternance kick \u002F tail + sub, traitement parallèle, kickbass en un seul sample : les 4 méthodes de layering d'un kick mentalcore.",[287,438,392,288,369,439],"layering","traitement parallèle",[268,269,271,372],{"path":442,"title":443,"description":444,"order":376,"tags":445,"genres":451,"daw":264,"level":272,"updatedAt":280,"readingTime":262},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[288,446,447,448,449,450],"operator","sinus","phase","filtre","utility",[268,269,271,372],1792007220665]