[{"data":1,"prerenderedAt":326},["ShallowReactive",2],{"tuto-\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick":3,"plugin-index":163,"tutos-all":235},{"id":4,"title":5,"body":6,"daw":138,"description":139,"extension":140,"genres":141,"level":145,"meta":146,"navigation":147,"order":148,"path":149,"plugins":150,"readingTime":148,"seo":151,"sitemap":152,"stem":154,"steps":155,"tags":156,"updatedAt":153,"__hash__":162},"tutos\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick.md","Vocabulaire du kick",{"type":7,"value":8,"toc":131},"minimark",[9,14,109,113,122],[10,11,13],"h2",{"id":12},"les-mots-du-kick","Les mots du kick",[15,16,17,30],"table",{},[18,19,20],"thead",{},[21,22,23,27],"tr",{},[24,25,26],"th",{},"Terme",[24,28,29],{},"Définition",[31,32,33,45,55,65,79,89,99],"tbody",{},[21,34,35,42],{},[36,37,38],"td",{},[39,40,41],"strong",{},"Click \u002F attack",[36,43,44],{},"Le « tac » : transient très court (5–15 ms), dans les aigus (2–8 kHz). Donne la définition.",[21,46,47,52],{},[36,48,49],{},[39,50,51],{},"Body",[36,53,54],{},"L'impact : corps grave-médium (80–250 Hz) avec descente de pitch rapide.",[21,56,57,62],{},[36,58,59],{},[39,60,61],{},"Kick (ou punch)",[36,63,64],{},"Click + Body. Le coup en lui-même.",[21,66,67,72],{},[36,68,69],{},[39,70,71],{},"Tail",[36,73,74,75,78],{},"La queue distordue après le kick : grain, rumble. Normalement ",[39,76,77],{},"sans grave"," (passe-haut 80–100 Hz).",[21,80,81,86],{},[36,82,83],{},[39,84,85],{},"Sub",[36,87,88],{},"Sinus propre sous le tail : le poids. Accordé sur la note du kick.",[21,90,91,96],{},[36,92,93],{},[39,94,95],{},"Kickbass",[36,97,98],{},"Le son final complet : kick + tail + sub (ou kick qui porte lui-même sa basse).",[21,100,101,106],{},[36,102,103],{},[39,104,105],{},"Rumble",[36,107,108],{},"Grondement continu obtenu par reverb puis distorsion. Typique tekno.",[10,110,112],{"id":111},"la-règle-de-base","La règle de base",[114,115,118],"callout",{"title":116,"type":117},"La distorsion détruit le grave","piege",[119,120,121],"p",{},"On ne distord jamais fortement une couche qui contient la sub, sinon le bas devient boueux et instable sur un système son.",[119,123,124,125,130],{},"Pour voir comment ces couches s'assemblent : ",[126,127,129],"a",{"href":128},"\u002Ftutos\u002Fkick\u002Flayering","layering de kick",".",{"title":132,"searchDepth":133,"depth":133,"links":134},"",3,[135,137],{"id":12,"depth":136,"text":13},2,{"id":111,"depth":136,"text":112},"any","Click, body, tail, sub, kickbass, rumble : les mots du kick tekno et mentalcore, et la règle de base sur la distorsion et le grave.","md",[142,143,144],"tekno","mentalcore","hardstyle","débutant",{},true,1,"\u002Ftutos\u002Fbases\u002Fvocabulaire-du-kick",[],{"title":5,"description":139},{"loc":149,"lastmod":153},"2026-10-13","tutos\u002Fbases\u002Fvocabulaire-du-kick",null,[157,158,159,160,161],"kick","tail","sub","rumble","distorsion","ICk1YzcBa3NLPiBj6KnUEFK9MUz528tHLFvDJQQZFF4",[164,168,172,178,183,188,192,196,200,205,209,213,217,222,227,231],{"name":165,"path":166,"aliases":167},"bx_clipper","\u002Fplugins\u002Fbx-clipper",[],{"name":169,"path":170,"aliases":171},"Disperser","\u002Fplugins\u002Fdisperser",[],{"name":173,"path":174,"aliases":175},"Pro-Q 4","\u002Fplugins\u002Ffabfilter-pro-q-4",[176,177],"FabFilter Pro-Q 4","Pro-Q 4 dynamique",{"name":179,"path":180,"aliases":181},"Pro-R 2","\u002Fplugins\u002Ffabfilter-pro-r-2",[182],"FabFilter Pro-R 2",{"name":184,"path":185,"aliases":186},"Saturn 2","\u002Fplugins\u002Ffabfilter-saturn-2",[187],"FabFilter Saturn 2",{"name":189,"path":190,"aliases":191},"Faturator","\u002Fplugins\u002Ffaturator",[],{"name":193,"path":194,"aliases":195},"Kick 3","\u002Fplugins\u002Fkick-3",[],{"name":197,"path":198,"aliases":199},"Multipass","\u002Fplugins\u002Fmultipass",[],{"name":201,"path":202,"aliases":203},"Saturate","\u002Fplugins\u002Fnewfangled-saturate",[204],"Newfangled Saturate",{"name":206,"path":207,"aliases":208},"Operator","\u002Fplugins\u002Foperator",[],{"name":210,"path":211,"aliases":212},"OTT","\u002Fplugins\u002Fott",[],{"name":214,"path":215,"aliases":216},"Serum 2","\u002Fplugins\u002Fserum-2",[],{"name":218,"path":219,"aliases":220},"SerumFX","\u002Fplugins\u002Fserumfx",[221],"distorsion de Serum",{"name":223,"path":224,"aliases":225},"ShaperBox 3","\u002Fplugins\u002Fshaperbox-3",[226],"ShaperBox",{"name":228,"path":229,"aliases":230},"Spectrum","\u002Fplugins\u002Fspectrum",[],{"name":232,"path":233,"aliases":234},"Utility","\u002Fplugins\u002Futility",[],[236,248,260,263,277,287,298,308,315],{"path":237,"title":238,"description":239,"order":136,"tags":240,"genres":245,"daw":138,"level":145,"updatedAt":247,"readingTime":148},"\u002Ftutos\u002Fbases\u002Fdurees-et-tempo","Durées et tempo du kick","Durée d'un temps à 150 et 155 BPM, longueur du kickbass (320–350 ms à 155 BPM) et repères de placement du click, du body, du tail et de la sub.",[241,242,157,243,244],"tempo","bpm","kickbass","durées",[143,142,246],"tekrap","2026-10-14",{"path":249,"title":250,"description":251,"order":133,"tags":252,"genres":258,"daw":138,"level":145,"updatedAt":153,"readingTime":148},"\u002Ftutos\u002Fbases\u002Freflexes-generaux","Réflexes généraux de prod","Les 4 réflexes à garder en tête : comparer à volume égal, grave mono, vérifier au Spectrum, morceau de référence dans le projet.",[253,254,255,256,257],"mix","volume égal","mono","spectrum","référence",[142,143,246,259,144],"hard-tekno",{"path":149,"title":5,"description":139,"order":148,"tags":261,"genres":262,"daw":138,"level":145,"updatedAt":153,"readingTime":148},[157,158,159,160,161],[142,143,144],{"path":264,"title":265,"description":266,"order":148,"tags":267,"genres":275,"daw":138,"level":276,"updatedAt":153,"readingTime":148},"\u002Ftutos\u002Fdrums\u002Fdrums-rap-tekno-150-bpm","Drums rap à 150 BPM","Groove half-time à 75 BPM, snare sur le temps 3, rolls de hi-hats, 808 en break : intégrer des drums trap \u002F drill dans une prod tekrap à 150 BPM.",[268,269,270,271,272,273,274],"drums","drill","trap","hi-hats","808","snare","half-time",[246,142,143],"inter",{"path":278,"title":279,"description":280,"order":133,"tags":281,"genres":285,"daw":286,"level":276,"updatedAt":153,"readingTime":136},"\u002Ftutos\u002Fkick\u002Faccorder-son-kick","Notes et accordage du kick","Quelle note pour un kick mentalcore (zone F#1 à A1, 46–55 Hz), le piège du nommage des octaves dans Ableton, et comment choisir une note consonante.",[282,283,284,157,159,256],"accordage","note","fréquence",[143,142,259,144],"ableton",{"path":288,"title":289,"description":290,"order":291,"tags":292,"genres":296,"daw":286,"level":297,"updatedAt":153,"readingTime":136},"\u002Ftutos\u002Fkick\u002Fchaines-de-traitement-kick-tail","Chaînes de traitement du kick","Les chaînes d'effets dans l'ordre : kick (Disperser, distorsion, clipper, Punctuate, Pro-Q 4), tail (reverb, Multipass, OTT, grain), bus tail + sub, et les règles d'ordre des effets.",4,[293,157,158,159,161,294,160,295],"chaîne d'effets","clipper","shaperbox",[143,142,259,144],"avancé",{"path":299,"title":300,"description":301,"order":136,"tags":302,"genres":307,"daw":138,"level":276,"updatedAt":247,"readingTime":148},"\u002Ftutos\u002Fkick\u002Fkick-mentalcore","Faire un kick mentalcore","Kick 3, Kick 2 ou ton synthé de kick : couches, enveloppe de pitch, longueur, limiteur interne coupé, puis rendre le kick court, sec et agressif.",[157,303,304,305,294,160,306],"synthèse","kick 3","enveloppe de pitch","sound design",[143,142,259],{"path":128,"title":309,"description":310,"order":148,"tags":311,"genres":314,"daw":286,"level":276,"updatedAt":247,"readingTime":133},"Layering de kick","Kick + tail + sub sur un même coup, alternance kick \u002F tail + sub, traitement parallèle, kickbass en un seul sample : les 4 méthodes de layering d'un kick mentalcore.",[157,312,158,159,243,313],"layering","traitement parallèle",[143,142,144,246],{"path":316,"title":317,"description":318,"order":148,"tags":319,"genres":325,"daw":286,"level":276,"updatedAt":153,"readingTime":136},"\u002Ftutos\u002Fsub\u002Fsub-operator-ableton","Faire la sub dans Operator","Sub en sinus propre dans Operator : oscillateur A seul, enveloppe, passe-bas 24 dB à 100–120 Hz, le piège Freq\u003CKey, puis caler la phase de la sub avec le tail et le kick.",[159,320,321,322,323,324],"operator","sinus","phase","filtre","utility",[143,142,144,246],1792007220835]